Charles Krauthammer: Leaving Life, and Chess, with No Regrets

Charles Krauthammer, Pulitzer Prize-winning columnist and intellectual provocateur, dies at 68

by Adam Bernstein June 21

Charles Krauthammer,

a Pulitzer Prize-winning Washington Post columnist and intellectual provocateur who championed the muscular foreign policy of neoconservatism that helped lay the ideological groundwork for the 2003 U.S.-led invasion of Iraq, died June 21 at 68.

The cause was cancer of the small intestine, said his son, Daniel Krauthammer. He declined to provide further information.

“I believe that the pursuit of truth and right ideas through honest debate and rigorous argument is a noble undertaking,” Dr. Krauthammer wrote in a June 8 farewell note. “I am grateful to have played a small role in the conversations that have helped guide this extraordinary nation’s destiny. I leave this life with no regrets.”
https://www.washingtonpost.com/local/obituaries/charles-krauthammer-pulitzer-prize-winning-columnist-and-intellectual-provocateur-dies-at-68/2018/06/21/b71ee41a-759e-11e8-b4b7-308400242c2e_story.html?utm_term=.60d25502de35

Charles was a conservative thinker who loved Chess. Decades ago, after learning of his love for the Royal game I began to read his column on a regular basis, something mentioned at a small gathering of Chess players, some of whom were Republicans, one of whom asked why I read Krauthammer. “Because he plays Chess,” was the reply. He seemed unable to grasp the fact that I read a conservative columnist until one legendary Georgia player spoke up, saying, “On some issues Bacon is to the left of Jane Fonda, but on others he is to the right of Attila the Hun!” Uproarious laughter ensued…I mentioned reading George Will because he had written several books on Baseball. “Sometimes I agree with him, and sometimes I don’t,” I said, “But I take what he has to say in consideration, just as with Krauthammer.”

Chess: It’s like alcohol. It’s a drug. I have to control it, or it could overwhelm me. I have a regular Monday night game at my home, and I do play a little online.
Charles Krauthammer (http://www.azquotes.com/quote/163123)

The Pariah Chess Club

By Charles Krauthammer December 27, 2002

I once met a physicist who as a child had been something of a chess prodigy. He loved the game and loved the role. He took particular delight in the mortification older players felt upon losing to a kid in short pants.

“Still play?” I asked.

“Nope.”

“What happened?”

“Quit when I was 21.”

“Why?”

“Lost to a kid in short pants.”

The Pariah Chess Club, where I play every Monday night, admits no one in short pants. Even our youngest member, in his twenties, wears trousers. The rest of us are more grizzled veterans numbering about a dozen, mostly journalists and writers, with three lawyers, an academic and a diplomat for ballast. We’ve been meeting at my house for almost a decade for our weekly fix.

Oh, yes, the club’s name. Of the four founding members, two were social scientists who, at the time we started playing, had just written books that had made their college lecture tours rather physically hazardous. I too sported a respectable enemies list (it was the heady Clinton years). And we figured that the fourth member, a music critic and perfectly well-liked, could be grandfathered in as a pariah because of his association with the three of us.

Pariah status has not been required of subsequent members, though it is encouraged. Being a chess player already makes you suspect enough in polite society, and not without reason. Any endeavor that has given the world Paul Morphy, the first American champion, who spent the last 17-odd years of his life wandering the streets of New Orleans, and Bobby Fischer, the last American champion, now descended John Nash-like into raving paranoia, cannot be expected to be a boon to one’s social status.

Our friends think us odd. They can understand poker night or bridge night. They’re not sure about chess. When I tell friends that three of us once drove from Washington to New York to see Garry Kasparov play a game, it elicits a look as uncomprehending as if we had driven 200 miles for an egg-eating contest.

True, we chess players can claim Benjamin Franklin as one of our own. He spent much of his time as ambassador to France playing chess at the Cafe de la Regence, where he fended off complaints that he was not being seen enough at the opera by explaining, “I call this my opera.” But for every Franklin, there is an Alexander Alekhine, who in 1935 was stopped trying to cross the Polish-German frontier without any papers. He offered this declaration instead: “I am Alekhine, chess champion of the world. This is my cat. Her name is Chess. I need no passport.” He was arrested.

Or Aron Nimzovich, author of perhaps the greatest book on chess theory ever written, who, upon being defeated in a game, threw the pieces to the floor and jumped on the table screaming, “Why must I lose to this idiot?”

I know the feeling, but at our club, when you lose with a blunder that instantly illuminates the virtues of assisted suicide, we have a cure. Rack ’em up again. Like pool. A new game, right away. We play fast, very fast, so that memories can be erased and defeats immediately avenged.

I try to explain to friends that we do not sit in overstuffed chairs smoking pipes in five-hour games. We play like the vagrants in the park — at high speed with clocks ticking so that thinking more than 10 or 20 seconds can be a fatal extravagance. In speed (“blitz”) chess, you’ve got five or 10 minutes to play your entire game. Some Mondays we get in a dozen games each. No time to recriminate, let alone ruminate.

And we have amenities. It’s a wood-paneled library, chess books only. The bulletin board has the latest news from around the world, this month a London newspaper article with a picture of a doe-eyed brunette languishing over a board, under the headline “Kournikova of Chess Makes Her Move.” The mini-jukebox plays k.d. lang and Mahler. (We like lush. We had Roy Orbison one night, till our lone Iowan begged for mercy.) “Monday Night Football” in the background, no sound. Barbecue chips. Sourdough pretzels. Sushi when we’re feeling extravagant. And in a unique concession to good health, Nantucket Nectar. I’m partial to orange mango.

No alcohol, though. Not even a beer. It’s not a prohibition. You can have a swig if you want, but no one ever does. The reason is not ascetic but aesthetic. Chess is a beautiful game, and though amateurs playing fast can occasionally make it sing, we know there are riffs — magical symphonic combinations — that we either entirely miss or muck up halfway through. Fruit juice keeps the ugliness to a minimum.
https://www.washingtonpost.com/archive/opinions/2002/12/27/the-pariah-chess-club/ebf8806d-eb6b-43b6-9615-766d3e5605ef/?utm_term=.a39c79610415

Charles Krauthammer playing chess with Natan Sharansky at Krauthammer’s office in an undated photo. (FAMILY PHOTO)

Charles was as comfortable with Presidents as he was with Chess players.

Charles Krauthammer with President Ronald Reagan in an undated photo.

Charles Krauthammer with President Jimmy Carter in an undated photo. (PHOTOS COURTESY OF THE KRAUTHAMMER FAMILY)

Charles Krauthammer with President George W. Bush in 2008. (COURTESY OF THE KRAUTHAMMER FAMILY)

When Chess Becomes Class Warfare

By Charles Krauthammer March 1, 1985

Capitalism’s vice is that it turns everything — even, say, a woman’s first historic run for the White House — into cash. Communism’s vice is that it turns everything — even, say, chess — into politics.

Chess? You may have trouble seeing chess as politics. Americans think chess is a game. The “Great Soviet Encyclopedia,” in one of its few correct entries, defines chess as “an art appearing in the form of a game.” And like all art under socialism, it is to be turned into an instrument of the state.

You think I exaggerate. If I quoted you Nikolai Krylenko, commissar of justice, in 1932 — “We must finish once and for all with the neutrality of chess. . . . We must organize shock-brigades of chess players, and begin the immediate realization of a Five Year Plan for chess” — you’d say I was dredging the history books for Stalinist lunacies. So I bring you fresh evidence of communism’s penchant for politicizing everything, for controlling everything it politicizes, and for letting nothing — shame least of all — jeopardize that control. I bring you L’affaire Karpov, a tempest for a teapot.

The story is this. On Sept. 10, 1984, the world chess championship begins in Moscow. Both players are Soviet citizens: champion Anatoly Karpov and challenger Gary Kasparov. To win, one must win six games. Draws don’t count. After nine games Karpov is ahead 4-0. An astonishing lead.

Kasparov then launches the most relentless war of attrition in the history of championship chess. He deliberately forces draw after draw, at one point 17 in a row, to one purpose: to exhaust the older and frailer champion.

On Nov. 24, Karpov does win a fifth game, but he will not win again. On Dec. 12, Kasparov wins his first. The score is 5-1. Then 14 more draws.

Then something extraordinary happens. Karpov, known for his metronomic logic and unshakable composure, loses game 47, playing “as though in a daze,” writes chess master Robert Byrne. Game 48: Karpov loses again. The score is 5-3.

By now, says another expert, Karpov “looks like Chernenko.” Chernenko looks bad, but Karpov is 33. He has lost 22 pounds and did not have very many to start with. He is close to collapse. He is about to fall — as Nabokov’s fictional champion, Luzhin, fell — into what Nabokov called “the abysmal depths of chess.” Kasparov is on the brink of the greatest chess comeback ever.

And on the brink both will stay. Six days later, on Feb. 15, the president of the International Chess Federation, under enormous pressure from Soviet authorities, shows up in Moscow and declares the match a draw — and over. Karpov is saved by the bell, except that here the referee rang it in the middle of a round and at an eight count.

Why? One can understand the Party wanting Karpov to win in 1978 and 1981, when the challenger was Victor Korchnoi — defector, Jew, all around troublemaker, Trotsky at the chessboard. But Kasparov is not Korchnoi. He is a good Soviet citizen, a party member, and not known for any politics. He is, however, half Armenian, half Jewish. Until age 12, his name was Gary Weinstein. He is no dissident, but he is young (21) and independent. Above all, he is not reliable.

Karpov, a man who needed to be named only once, is. Conqueror of Korchnoi (twice), receiver of the Order of Lenin, ethnically pure (Russian) and politically pliant (a leader of the Soviet Peace Committee), he is the new Soviet man. And he receives the attention fitting so rare a political commodity: he says he was told of the match’s cancellation over the phone in his car. Cellular service is not widely available in the Soviet Union.

Now, this is the third time that Soviet authorities have tried to undermine Kasparov’s shot at the championsh. In 1983 they stopped him from traveling to his quarterfinal match in Pasadena, Calif. The official reason (later pressed into service for the Olympics) was “lack of security.” Only a sportsmanlike opponent and accommodating chess officials (they rescheduled the match without penalty) saved Kasparov from defaulting in the candidates’ round and losing his chance to challenge Karpov.

But challenge he did. The finals were held in the prestigious Hall of Columns in the House of Unions. That is, until Kasparov’s rally in the 47th game. Soviet authorities then suddenly moved the match to the Hotel Sport outside the city center. “Like moving from Carnegie Hall to a gin mill in Poughkeepsie,” says Larry Parr, editor of Chess Life magazine.

I interpreted the move to mean that Chernenko was about to die, since the Hall of Columns is where Soviet leaders (like Dmitri Ustinov) lie in state. Silly me. I was insufficiently cynical about Soviet behavior. The reason for the move was not to bury Chernenko (he continues to be propped up like a Potemkin villain), but to save Karpov. The move took eight days — eight otherwise illegal days of rest for Karpov.

It didn’t help. Karpov was too far gone. Kasparov destroyed him the very next day in the 48th game. Soviet officials then made sure it was the last.

Now do you believe me?

A month ago I would not have believed it myself. (Kasparov still does not believe it.) Fix the biggest chess match in the world? Steal the championship from one Soviet citizen for a marginal propaganda gain? In broad daylight?

Still, we must be careful. Unfortunate episodes like these tend to fuel native American paranoia about how far the Soviets will go in relentless pursuit of even the most speculative political advantage. We must resist such facile reactions. Next thing you know someone will claim that the KGB got the Bulgarians to hire a Turk to shoot the pope to pacify Poland.
https://www.washingtonpost.com/archive/politics/1985/03/01/when-chess-becomes-class-warfare/51584d63-ede9-49bf-9b3f-40b7ea91e606/?utm_term=.ee5b4244d2fe

TYRANNY OF CHESS

By Charles Krauthammer October 16, 1998

Not all chess players are crazy. I’m willing to venture that. But not much more. Eccentricity does reign in our precincts. In my 20s, I used to hang out at the Boston Chess Club. The front of the club was a bookstore in which you’d mill around, choose a partner, put your money down with the manager and go to the back room — 20 or so boards set up in utter barrenness — for some action. (At five bucks an hour it was cheaper than a bordello, but the principle seemed disturbingly similar to me.)

I remember one back room encounter quite vividly. The stranger and I sat down to the board together. I held out my hand and said, “Hi, I’m Charles.” He pushed his white king’s pawn and said, “I’m white,” fixing me with a glare that said, “Don’t you dare intrude into my space with names.” It was dead silence from then on.

A psychiatrist colleague of mine came by to fetch me a few hours later. He surveyed the clientele — intense, disheveled, autistic — and declared, “I could run a group in here.”

Don’t get me wrong. Most chess players are sane. In fact, a group of the saner ones, mostly journalists and writers, meets at my house every Monday night for speed chess. (You make all your moves in under nine minutes total, or you lose.) But all sane chess players know its dangers. Chess is an addiction. Like alcohol, it must be taken in moderation. Overindulgence can lead to a rapid downward spiral.

Vladimir Nabokov (a gifted creator of chess problems and a fine player, by the way) wrote a novel based on the premise of the psychic peril of too close an encounter with “the full horror and abysmal depths” of chess, as he called its closed, looking-glass world. (Nabokov’s chess champion hero, naturally, goes bonkers.)

Chess players, says former U.S. champion Larry Christiansen, inhabit a “subterranean, surreal world. It is not the real world, not even close.” So what happens when a creature of that nether world seizes political power?

Impossible, you say: Sure, there have been dictators — Lenin, for example — who played serious chess, but there has never been a real chess player who became a dictator.

And no wonder, considering the alarming number of great players who were so certifiably nuts they’d have trouble tying their shoelaces, let alone running a country. Wilhelm Steinitz, the first world champion, claimed to have played against God, given Him an extra pawn, and won. Bobby Fischer had the fillings in his teeth removed to stop the radio transmissions.

Well, in some Godforsaken corner of the Russian empire, Kalmykia on the Caspian, where the sheep outnumber people 2 to 1, the impossible has happened. A chess fanatic has seized power. Kirsan Ilyumzhinov, former boy chess champion, current president of the International Chess Federation, was elected president of Kalmykia two years ago on the promise of a cell phone for every sheepherder and $100 for every voter in his destitute republic.

Naturally, nothing came of these promises. But once elected, he seized all the instruments of power including the police, the schools and the media.

Result? Ilyumzhinov calls it the world’s first “chess state.” God help us. Compulsory chess classes in all schools. Prime-time chess on TV. And in the midst of crushing poverty, a just erected “Chess City,” a surreal Potemkin village topped by a five-story glass-pavilioned chess palace where Ilyumzhinov has just staged an international chess tournament.

This scene (drolly described by Andrew Higgins in the Wall Street Journal) would be Groucho running Fredonia if it weren’t for the little matter of the opposition journalist recently murdered after being lured to a meeting where she was promised evidence of Ilyumzhinov’s corruption. (Ilyumzhinov denies involvement. Perhaps it depends on how you define the word “involve.”) Kalmykia is beginning to look less like Woody Allen’s “Bananas” than Nurse Ratched’s “Cuckoo’s Nest.”

Ilyumzhinov rides around in his Rolls-Royces, presiding over a state that specializes in corruption and tax evasion. The Washington Post reports that he paved the road from the airport to the capital and painted every building along the way, but only the side that faces the road. So now the world knows what chess players have known all along: A passion for chess, like a drug addiction or a criminal record, should be automatic disqualification for any serious public activity. Column writing excepted, of course.
https://www.washingtonpost.com/archive/opinions/1998/10/16/tyranny-of-chess/8854cca6-ca40-4e90-bfa1-d9d90c5f4d6c/?utm_term=.d46f29d730b4

https://en.chessbase.com/post/krauthammer-on-che-just-how-dangerous-is-it-

Charles Krauthammer: Chess is not an Olympic sport. But it should be

https://www.weeklystandard.com/be-afraid/article/9802

https://www.forbes.com/sites/gilpress/2018/02/07/the-brute-force-of-deep-blue-and-deep-learning/#3dfc9ad49e35

The Rise and Fall of David Bronstein: A Review

Ilan Rubin, founder and CEO, LLC Elk and Ruby Publishing House (www.elkand ruby.ru) read the post, The Laws of the Najdorf (https://xpertchesslessons.wordpress.com/2017/12/03/the-laws-of-the-najdorf/) in which I mentioned having a desire to read the book published by his company, The Rise and Fall of David Bronstein,

by Genna Sosonko

then contacted me wanting to know if I would be interested in writing a book review. I answered in the affirmative and the book was on its way. I have recently purchased another book published by his company, Team Tal: An Inside Story,

by Valentin Kirillov

and Alexei Shirov,

which has arrived and is on top of a stack of books to be read. So many books, so little time…

David Bronstein

gave a simul at the House of Pain which I have always regretted missing. The owner of the Atlanta Chess Center, Thad Rogers, had some awful things to say about the Bronstein visit. After reading the book I have a better understanding of why Mr. Rogers said those things.

The Rise and Fall of David Bronstein, by Genna Sosonko, is a extremely disquieting book. Yet I was riveted, reading all two hundred seventy one pages in only a few days. I have spent much more time thinking about the book than time spent reading it.

I have read all of the books by the author, and in addition, many articles. Genna is one of the best writers on the game of Chess. This book could be his best work. I write that knowing some may find the subject matter upsetting. The book concerns the aging of a Giant of the Chess world. “Colleague champion” was how former World Chess Champion Max Euwe

addressed David Bronstein in a telegram after the 1951 World Championship match between Bronstein and Mikhail Botvinnik,

the man who called himself, “First among peers,” which ended in a 12-12 tie. There can be no higher compliment.

Certainly there should have been a return match for the crown, but there was no match. When Botvinnik lost his crown, first to Mikhail Tal,

then to Vassily Smyslov,

there was a return match in which Botvinnik regained the title.

“You know, Botvinnik should have allowed me a return match; he was obliged to. In truth, though, I’m glad that I’m not hanging in the gallery at the chess club. Do you realize it was just half a point, half a point? And then, everything would have been completely different. Chess history and everything else. You see, Botvinnik and I had totally different outlooks on chess, and we were quite different people, too.”

The book left me wondering if Bronstein would have won a return match. Bronstein was afraid to win the match with Botvinnik for many of the same reasons Bobby Fischer

was afraid to play a match for the Chess championship of the world against any Russian. At the time of the 1951 match Bronstein’s father was being held in a Soviet gulag. How can one play his best while wondering what the “authorities” might do in reprisal if one wins? When living in a totalitarian system one tends to want to appease those who run the system, or at least not upset the Darth Vader’s in control.

One of the themes of the book considers the mental health of the Colleague champion. It caused me to consider a book read many years ago: Shadow Syndromes: The Mild Forms of Major Mental Disorders That Sabotage Us by John J. Ratey.

No human is perfect; we all have a certain percentage of different kinds of mental illness. The question is what percentage constitutes a full blown mental illness? Those who judge must determine if, for example, someone who has 49% of a particular mental illness, is considered mentally ill. What if that person rates in at 51%? Where is the line drawn? Who draws the line? While working at the Atlanta Chess & Game Center I had several people ask me if I thought this or that person was mentally ill. My answer was invariably the same. “I am not the one to ask that question.” When asked why, the reply would be, “On more than one occasion I have heard it said in the skittles room, “That guy Bacon is NUTS!”

“Botvinnik never took Bronstein seriously. His diary was full of negative and sarcastic commentary on his future opponent’s style: “neurotic and probably plagued by obsessive thoughts, but hard-working,” is one comment.

“Disregarding the fundamental truth that several different excuses always sound less convincing than one, Bronstein found a number of scapegoats and reasons for his loss: his hatred-filled opponent, the atmosphere of that time, fear for his father, his seconds, who neglected their duties, walks with a girlfriend who didn’t care about his career, and the hardships he had endured.”

“Psychologists say that you need to separate the ‘here and now’ from the ‘there and then’. They advise you to stop feeling regret about what was in the past and not to fool yourself. Bronstein didn’t want to come to terms with his past and nobody close to him dared to tell him that the match with Botvinnik was in the past, that life hadn’t stopped, and it was time to move on. Nobody dared to hit him over the head with the facts, to bring him back to reality. I admit to not knowing how such an attempt would have turned out, but nobody even attempted it, and everybody who regularly interacted with him shares responsibility for him remaining in such a state until the very end.”

“Bronstein the philosopher and Bronstein the talker had pushed aside Bronstein the chess player, and he increasingly seemed to be almost at odds with himself.”

“Ideas were bubbling in his head,” Yuri Averbakh

recalled. “He literally breathed them, couldn’t stop talking about everything that came to his mind. ‘How does your wife put up with your fountain of language?’ I once asked him. ‘She goes to visit the neighbours once she can’t put up with it any longer,’ David admitted with a guilty smile.”

Tom Furstenberg wrote: “David has so much to talk about he constantly ‘harasses’ organisers, sponsors, arbiters, and players with his ideas, even to the point of annoying them. This is why organisers occasionally do not want him in their tournaments and people sometimes do not take him seriously.”

“Furstenberg states that Bronstein also had other offers at the time, but none of them came to anything for the same reason. When Tom strongly recommended that he speak less, and especially stop repeating himself, Davy would answer, “I like people.” Of course, that wasn’t quite true. He liked people when they listened to him in admiration. Others, though, interested him only as an outlet to revisit Davy’s past.”

“It would probably have been useful for him to visit a therapist. The latter would have asked about something, and Davy would have talked for hours without even politely inquiring “how are you?” He never asked anybody that question. I can’t ever recall him asking me how things were or what plans I had. It was always about him, himself, and his chess. His place in chess was the meaning and substance of his entire life.”

“His listeners (including me) wouldn’t ask difficult questions out of respect for this great chess player and highly insecure person. As such, we strengthened his conceit and intoxication with his own uniqueness. If my opinion wasn’t the same as his, I would rarely disagree with him openly, although I could have argued frequently. I was constantly aware that I was talking with an outstanding chess player and, at the same time, a slightly unhinged person.”

“Psychotic symptoms are a normal part of human development, and everybody has a genetic inclination to experience them. Particular risk factors, though, are childhood traumas, and a psychotic state or neurosis may fuel or intensify genius.”

It got back to me that the owner of the Atlanta Chess & Game Center, Thad Rogers, said I was a “Small, insecure man.” I have probably been called worse. It made me wonder why someone would say that about me. I am, like Bronstein, a small man. Like most children who were bullied I have reason to be insecure. Bullies pick smaller boys as their targets because they are cowards. I learned boxing at a Boys Club and fought back against the cowards, and feel I have been fighting all my life. Reading this book caused empathetic feelings to be evoked.

“Viktor Korchnoi

invited Bronstein to Brussels in 1991 to his match with Jan Timman,

but he never engaged his services. “He talks so much that it gives me a headache,” Viktor explained to his seconds.

“He would trustingly take his ‘victim’ aside and he would start to fire off his ideas, thoughts, and views in a quiet, nearly toneless voice. Sometimes, they were interesting, sometimes amusing or moralizing, but always original, unexpected, and paradoxical, and Bronstein would experience genuine satisfaction if he sensed he had been able to ensnare his listener in a web of his monologue, filled with complicated twists and turns,” Mark Taimanov

recalled.

"Among his repeat stories, the endless refrain was, of course, his match with Botvinnik, and he constantly talked about what had been and what might have been had what happened not happened. His other monologue subjects included: reforming the rules of chess, including allowing the pieces to be set up freely behind the row of pawns, reducing the time allowed for thinking, the compulsory use of charts showing how much time is spent on thinking, as well as the idea that young players who think that they are the first to comprehend the game's subtleties and who receive enormous prized for doing so, dance on living classics' graves."

I could not help but wonder if a better word would have been "soliloquy" in lieu of "monologue."

"Although conversing with Bronstein was a tough challenge, the reward, when the grandmaster was in the mood, came in the form of brilliant flashes of colorful comparisons, clever thoughts and unusual conclusions that his listeners would never forget."

"Bronstein didn't like the fact that computers brought the truth in chess closer, that memorization had replaced improvisation: "By inventing computers, they wiped the wonderful game of chess from the face of the Earth. Chess is in crisis because it has been analyzed to death. The sense of mystery has disappeared. Chess today has nothing to do with the chess that my generation played."

A friend who stopped playing Chess, turning to Poker, said much the same thing, "GMs used to be thought of as some kind of mysterious Gods. Now there are considered to be nothing more than mere mortals."

Botvinnik was Bronstein's bête noire.

"Moreover, just like in all of Bronstein's deliberations, there was no avoiding the main wrongdoer. He criticized the 'computer' way of Botvinnik's thinking, claiming that the latter "reacted painfully to another man's genius and wrote with pretend disdain about chess as an art. Let's quote Botvinnik here: "Sometimes (and maybe often!) the thinking of a chess player is surrounded by mystique: the workings of a player's brains are presented as some sort of wonder, a magical and totally inexplicable phenomenon. Further, it is claimed that not only is the thinking of chess 'geniuses' a mystery, but that advantage is gained at the board thanks to some magical laws of chess art. We need to accept that unidentified laws of the chess battle do indeed exist, but that they can and will be identified just like the as yet unidentified way a grandmaster thinks. Moreover, it's fair to assume that these laws and the ways of thinking are relatively elementary – after all, youngsters play chess, and fairly well?" Botvinnik wrote in 1960."

"When he began, yet again, to claim: Believe me, that champion's title was of no interest to me," I said, "do you know David, how Toulouse-Latrec's grandfather informed his wife, born a duchess, at the breakfast table just what they had lost in the revolution of 1789?"
Bronstein looked at me nonplussed. "When his wife replied that she didn't give a damn, the artist's grandfather smiled sarcastically and stated, 'you certainly do give a damn, Citizen Duchess, because you wouldn't have talked about it every day if you didn't give a damn.' "
"Let me assure you," said David pulling me by the arm, "that I really don't care at all about this. Do you really think that I missed Na7 in game 23? Such an obvious move? Do you really believe that?"
I realized that any criticism on this matter was pointless and never again interrupted him when he got going about his match with Botvinnik.
The fear embedded in the minds of Soviet citizens who had lived through that terrible era was one reason for his unfinished thoughts, his hints, and his reticence…
How can one express the atmosphere of 1951 – when he was already an adult and a public figure – in words? How much willpower and which subtle hints are required to recreate the darkness of the time?"

Another time, "What ideas did Botvinnik have, I ask? Do you really think I didn't see that I shouldn't have taken the pawn and given white the advantage of two bishops versus two knights in game 23? Do you really think I missed that?"

Still later, "How was I supposed to play chess anyway, when I had this constant feeling of terror? Not facing Botvinnik, although I overestimated him at the time, I thought he was better than he turned out to be. No, it was terror facing my personal situation, the country I lived in, everything together. You experienced something similar, even if it wasn't for long. So you must understand what I'm talking about."

Reading the book made me think of David Bronstein as the Don Quixote of Chess.

"The functionaries did indeed dislike this now professional troublemaker, but realizing he was an oddball, they allowed him to play the role of frondeur, dreamer, village idiot, and eccentric maverick waving a toy sword.”

“That was the case with David Bronstein, too. In the half-century that followed, his tournaments included some brilliant games, elegant moves and original ideas, but there were no consistently strong results, or continual flow of inspiration. The formidable, ingenious player left him long before his actual death.You could perceive his abilities of old here and there in the games, but most of them were lacking in both joy and vigour.”

“At the very end, he became even more irritable and complained about everything. About his life ruined by chess and lived in vain. And of course, Davy complained about this Sosonko dude, who was just waiting pen in hand for him to kick the bucket so that he could publish his memoirs about the near world champion. The interesting thing, though, is that all of Davy’s complaints, although frequently unfair and exaggerated, and sometimes even absurd, had a grain of truth to them.”

“The fate of those long in the tooth is loneliness. Besides illnesses and adversity, the loss of friends and relatives, the horror of living without witnesses was tougher for him to bear than perhaps for anybody else. After all, there is no soul more desolate than an idol whose name was once on everybody’s lips.”

“Once, however, after repeating for the umpteenth time that Botvinnik had been utterly right all along, he added with a childlike smile: “Though that was still one hell of an imagination I possessed.”

“My heart began to ache at those words, however, and a powerful thought pierced my mind: “why did I write all that stuff about this great chess player who suffered so much at the end of his life? Why? What was the point of all that philosophizing and those attempted explanations? Who was all that for?” You see, I knew deep own that I shouldn’t have tried to recall anything. I should have left the departed alone in their graves and should have allowed the living to keep their illusions.”

This “Sosonko dude” was obviously troubled and full of doubt. In deciding to publish the book he has done the Chess world a great service.

“When Vladimir Nabokov

died, his niece scolded his wife, Vera, for apparently allowing her husband to die. The writer’s wife responded: “Vladimir died exactly when he was supposed to die. He was no longer able to do what he enjoyed: thinking and writing.”

After reading those words I realized my life, too, will end when I am unable to do those things.

“Let’s repeat these harsh words here: David Bronstein died exactly when he was supposed to die. He was no longer able to do what he enjoyed most of all – to play, discuss, and think about chess.”

This is a magnificent book, written with love for the subject. I cannot recommend it highly enough. Purchase and read this stunning, thought provoking book.