The Chess Cheating Epidemic Is Destroying The Game

In a post, Canadian Arbiter Caught Cheating,by kevinspraggettonchess, published September 22, 2018, The Canadian Chess Grandmaster wrote:

“Claude Lessard is a popular and well respected arbiter,

organizer and promoter in the Quebec City area chess community. Earlier in the month the Quebec Chess Federation (FQE) took the unprecedented step to ban him for 2 years following an investigation into multiple longtime allegations of cheating using a cellphone chess app during his games.

Questions of whether this cheating was just the tip of the iceberg amongst members of the popular chess club he ran and owned remain unanswered.”

THE CHEATING EPIDEMIC

“On September 7th of this year I wrote a blog article dealing with this precise topic. In this article I argued, amongst other things, to indirectly remove arbiters from FIDE’s efforts to catch cheaters. This Quebec incident proves my point: a cheating arbiter will NEVER report a cheating player because he will be afraid of himself being caught in the resulting web of investigation.

Curiously, the above announcement by the FQE of the two year suspension of Claude Lessard was removed from the FQE’s official website one day after the decision first being announced. Is the FQE trying to bury the incident?

In my blog article mentioned above, I argued for a LIFETIME ban for any individual caught cheating. Zero tolerance. We have come to the point where we have spectators, arbiters, organizers and players cheating. Something must be done about this!”

Cheating is destroying the game

“I don’t play so much these days, but in the relatively few international tournaments that I have played in during the past 5 years here in Europe, I have witnessed a significant number of examples of cheating. Even amongst 2700-plus players, not just the lowly amateur.

Some of these methods used are quite sophisticated, and implicate outside help. All require the tournament arbiters to close their eyes and look the otherway. As I wrote several times here on this blog, a good rule of thumb is that at any given time in any tournament as many as 20% of the participants are cheating in one way or the other.”
http://www.spraggettonchess.com/canadian-arbiter-caught-cheating/

I do not know where, exactly, the tipping point is for people to turn away from the game, but if Grandmaster Spraggett is correct the game is in imminent if not immediate danger of being consigned to the dustbin of history. Ask yourself this question, “If I were a parent would I want my child playing a game in which one out of every five players cheated?”

Ask yourself this question, “What percentage of cheating would be acceptable for me to participate in any game?”

There is, and has been, a small amount of cheating in most games. For example, Leo “The Lip” Durocher,

(https://sabr.org/research/1947-dodgers-suspension-leo-durocher) manager of the 1954 New York Giants, cheated by stealing signs of the opposing teams catcher so his batters would know what kind of pitches were coming, and Leo the Lip is in the Major League Baseball Hall of Fame. The National Football League New England Patriots cheated so often one can click on and read all about the New England Patriots Cheating History. (http://yourteamcheats.com/NE)

In the United States of America it has become fact that cheaters are winners. It has been written Dirty Tricky Dicky Nixxon

did not contest the lost 1960 election because a recount would have shown that he, too, had cheated.

We The People now have a nocuous imbecilic POTUS sitting in the oval office who not only cheated to win, but has continually cheated throughout his life.

Maybe the twenty percent GM Spraggett

quotes is too small a number…For decades FIDE, the governing body of world Chess, has been administered by cheaters and crooks who have turned a blind eye to cheating while having “zero tolerance” for a player turning up a few minutes late for the start of his or her game. I do not see things improving any time soon unless GM Nigel Short wins the soon to be election for FIDE President. One candidate, Georgios Makropoulos,

has been VP for decades and knows where the bodies, and money, is buried. He has one foot, and several toes, in the grave. Another candidate, Arkady Dvorkovich,

is yet another Putin puppet. If elected Putin’s puppet Dvorkovich will simply bring more of Putin’s poison to the world of Chess. Therefore, the only hope for change in FIDE is Grandmaster Nigel Short.

What chance does Nigel have against the rotten cheaters against whom he is running? Maybe a snowball’s chance in HELL…

There is a post on the forum at the website of the United States Chess Federation titled, Spraggett on Cheating where one finds this by the forum’s resident philosopher, Thomas Magar:

“Over the years, from the early 1970’s to now, the most frequent forms of “cheating” I have seen fit into the following categories:

1. Casual contact between players, coaches, spectators, and parents. It was common to go to big tournaments and see players conversing in aisles with compatriots. While some of it was innocuous, the frequency of the contacts was more than suspicious. It was clear that chess was a team game for some Russian speaking players, with information being passed at critical times. One could hear moves and variations being discussed during games. Other nationalities also talked to each other about games in progress. TDs who did not know the languages could not police the floors even if they tried. One player I know found his higher rated, titled foreign opponent in the book seller’s room reading a book on the opening they were playing. They guy was forfeited but was allowed to play subsequent rounds, earning a prize. Today it is common to see kids conversing animatedly with parents who are holding thin tablets with the position of their child’s games.

2. Various drugs have been used to stimulate players. Back in the ’70’s and even before that, some players experimented with different amphetamines to improve energy and focus. Many players hyped themselves up with extreme doses of caffeine through coffee and tea which may haver worked for some, but were not helpful physically. The use of drugs and caffeine supplements have effects like sleep deprivation, tremors, and frazzled nerves during critical moments. I see players guzzling “5 Hour Energy” at tournaments as well as popping pills. For short term gain, players are risking long term health damages. In the old days, players thought alcohol was a stimulant. Now it is used to come off the highs and numb the brain into sleep. Drugs and alcohol, not a good chess combination.

3. Electronic devices have become ubiquitous. When the program Tech was developed in the early ’70’s, it was not very good, but it was a precursor of what was possible using computers and good programming. By the mid-’80’s, the Hitech and Deep Thought programs were 2450-2550 strength. They required sophisticated hardware and were unwieldy to use except by their handlers. Today, one can buy powerful programs and download apps that fit into devices that are in the palm of your hand. This has opened the chance to cheat to everyone. Every tournament I attend, there are players or parents sitting on the floor analyzing positions using Fritz, Komodo, Stockfish, or other programs, either alone or in multiple configurations tied into databases. The power of these devices is enticing, even if it is used to win a mere trophy.

4. Sandbagging. Once a player rises to a certain level, he may discover that improving the chess rating is noble and ethical, it is not vey economic. Lowering the rating, throwing games in tournaments you are not doing well in, may lead to large prizes in class section of future tournaments. Maintaining a rating below a rating threshold is fairly easy to do. With the new rating changes that have increased volatility, it is possible to lose many more points in the tournaments a player decides to crash his rating in. He must be careful to toss as many as he can before and after a big event. That is not so hard as there are plenty of Game 30s to give away points in. Running out of time or hanging a piece is easy in a fast timecontrol tournament and no one notices what he is doing, unless he loses several games o players who are considerable lower rated. Having a couple of mediocre tournaments that are cheap to play in works just fine. He can work on new openings and then make a blunder. The acting crushed takes some dramatic skill, but suffering for one’s art is expected.

Is all of this killing the game? There seem to be a lot more players around even if one cannot trust them. If your goal is to attract attendance and make money, you may not want to notice what is going on. On the other hand, if you are a purist who thinks the game is an art, a noble conquest, and an elevation of man’s culture, you are not happy about the sleazy way the tournament game has degenerated into a gambler’s paradise. In any event, move over as the means to stop the cheating are few. You can punish the ones you catch, but you will have a harder time changing the new chess culture. As they say, “If you ain’t cheating, you ain’t trying.” It is all about the Benjamins.”

I have never played Chess because of “the Benjamins.” I played for the love of the game. I played Backgammon professionally for “the Benjamins.” If I play tournament Chess again it will, most probably, be in a Senior tournament, where the risk of encountering cheating would be minuscule, if at all. I may possibly play in a week night tournament with a time limit of fifteen minutes. Who would cheat in in such a tournament?

GM Spraggett has called for “Zero tolerance,” and “…a LIFETIME ban for any individual caught cheating.”
Although this seems rather harsh to someone brought up in a Southern Baptist environment with the prevalent idea of giving people a second chance, I must concur with GM Spraggett. The Major League Baseball rule against wagering on MLB games did not deter Pete Rose


https://nypost.com/2018/04/24/pete-rose-still-betting-and-losing-big-estranged-wife-claims/

even with the possibility of a lifetime ban, so it will not eliminate all cheating, but surely it could possibly cut the twenty percent figure considerably.


Cheating At Solitaire

Mike Ness
Album: Cheating at Solitaire

You can lie to yourself, you can lie to the world
You can lie to the one you call your girl
You can humble yourself to the hearts that you stole
Wondering who’s gonna love you when you grow old?

With a fist full of courage and a heart full of rage
I realized I’d locked myself in a cage
I’ll be the one standing there with the watery eyes
I’ll be the fool in the mirror asking you why…asking why

When I got to the end of my dirty rainbow
And I found that there was no pot of gold
Well, I learned that I was empty and not quite as strong
For I had robbed my heart and cheated my soul

Look for the one with the watery eyes
I’ll be the fool in the mirror asking you why
Cursing lovers in a warm tender embrace
Scoffing at the world and the whole human race

Chorus:
You can run, you can hide
You can feed your foolish pride
You can use and abuse
In the end you’ll always lose…at the game

Chorus:
You can run, you can hide
You can feed your foolish pride
With the hearts that you stole
And an empty pot of gold
And the lover’s warm embrace
And the whole damned human race
You can use and abuse
In the end you’ll always lose…at the game

“For I cheated myself at solitaire”

https://genius.com/Mike-ness-cheating-at-solitaire-lyrics

“Jane, you ignorant slut.”

In the event you are too young to recall the now immortal words from the title of this post, they were uttered with disdain by Dan Akyroyd to Jane Curtain on the Saturday Night Live program decades ago as a skit that was a take-off on the “60 Minutes” segment “Point/Counterpoint” between “conservative” James J. Kilpatrick and “liberal” Shana Alexander. I thought of it as left-shoe, right shoe; the ol’ two step, double shuffle. What the two commentators gave was two differing views of the establishment. When Dan spoke those words to Jane it was so unexpected one was so taken aback that it took a few moments before the laughter began.
I am currently enrolled in a study at Emory University. When being questioned by the Doctor with a PhD I mentioned that I had participated in similar studies at Georgia Tech by a young fellow working on his PhD, Zach Hambrick, who was now at a University up north I thought was Minnesota. “I know Zach,” he said, “but he is at Michigan State.” He got a kick out of the fact that Zach would schedule my appointment at the Psychology department, which was across from Chandler field, the baseball diamond, so I could walk over after finishing and watch a game.
Yesterday as I was perusing the Daily Chess News Links July 1, 2014 on the Chess Cafe website (http://blog.chesscafe.com/?m=201407) I noticed the penultimate link, “10,000 hours to genius theory questioned,” and clicked on. The article dated 30 June 2014 is by Jane Bainbridge. It begins, “The research was led by David Hambrick and looked at studies of chess players that provided information on people’s highest ability level achieved along with their history of practice. They found that between 2005 and 2012 six studies had been done, involving more than 1000 players internationally in total.”
Could it be the young man I knew as Zach? Yes, indeed, I discovered it was none other than Zach! Jane continues, “On average, the amount of deliberate practice accounted for 34% of variance in chess ability, which although an impressive proportion, was insufficient to explain why some players achieved greatness and others didn’t. And there was a huge range in the deliberate practice completed by players of different standards. One study, looking purely at grandmasters found the range of practice they’d invested was between 832 and 24,284 hours. Looking at players who achieved only intermediate level, 13% of them had completed more practice than the average amount invested by the grandmasters.” (http://www.research-live.com/news/10000-hours-to-genius-theory-questioned/4011897.article)
Further research revealed a debate on “The Creativity Post” between Zach and author David Shenk, known to the chess world for his book, “The Immortal Game” called “superb” by the Wall Street Journal (I concur). I read the post by Zach, “Intelligence Matters for Success, Like it or Not” (http://www.creativitypost.com/psychology/debate/intelligence_matters_for_success_like_it_or_not) first. Who is Zach Hambrick? “David Z. (Zach) Hambrick is Associate Professor in the Department of Psychology at Michigan State University. Dr. Hambrick’s research focuses on individual differences in basic cognitive abilities and capacities and their role in skilled performance. Dr. Hambrick received his Ph.D. from the Georgia Institute of Technology (2000). His work has appeared in Journal of Experimental Psychology: General, Journal of Experimental Psychology: Applied, Cognitive Psychology, and Memory & Cognition, among other scholarly journals. Dr. Hambrick was the 2000 recipient of the James McKeen Cattell Award for Best Dissertation in Psychology from the New York Academy of Sciences, and is a consulting editor for Journal of Experimental Psychology: General. His research has been funded by the National Science Foundation and the Office of Naval Research.” http://www.creativitypost.com/psychology/debate/intelligence_matters_for_success_like_it_or_not#sthash.unEtiCg5.dpuf
Zach writes, “How do people become great at what they do? What separates the best from the rest in music, science, art, sports, and so on? This question has been a topic of intense debate in psychology for as long as psychology has been a field. Francis Galton surveyed genealogical records of hundreds of scientists, artists, musicians, writers and other eminent individuals and discovered that they tended to be biologically related. Galton therefore concluded that “genius” is hereditary. The debate rages on.”
“The deliberate practice view has attracted a great deal of attention in the scientific community, and beyond. In his bestselling book “Outliers,” for example, the writer Malcolm Gladwell describes 10,000 hours as the “magic number” of greatness. At the same time, a vast and venerable literature documents the importance of basic abilities for success in a wide variety of complex tasks.”
Included in his post is a link to a New York Times Op-Ed “Sorry, Strivers. Talent Matters, by David Z. Hambrick and Elizabeth J. Meinz” dated November 19, 2011. They began the article with a question, “HOW do people acquire high levels of skill in science, business, music, the arts and sports? This has long been a topic of intense debate in psychology.
Research in recent decades has shown that a big part of the answer is simply practice — and a lot of it. In a pioneering study, the Florida State University psychologist K. Anders Ericsson and his colleagues asked violin students at a music academy to estimate the amount of time they had devoted to practice since they started playing. By age 20, the students whom the faculty nominated as the “best” players had accumulated an average of over 10,000 hours, compared with just under 8,000 hours for the “good” players and not even 5,000 hours for the least skilled.
Those findings have been enthusiastically championed, perhaps because of their meritocratic appeal: what seems to separate the great from the merely good is hard work, not intellectual ability. Summing up Mr. Ericsson’s research in his book “Outliers,” Malcolm Gladwell observes that practice isn’t “the thing you do once you’re good” but “the thing you do that makes you good.” He adds that intellectual ability — the trait that an I.Q. score reflects — turns out not to be that important. “Once someone has reached an I.Q. of somewhere around 120,” he writes, “having additional I.Q. points doesn’t seem to translate into any measureable real-world advantage.”
David Brooks, the New York Times columnist, restates this idea in his book “The Social Animal,” while Geoff Colvin, in his book “Talent Is Overrated,” adds that “I.Q. is a decent predictor of performance on an unfamiliar task, but once a person has been at a job for a few years, I.Q. predicts little or nothing about performance.”
But this isn’t quite the story that science tells. Research has shown that intellectual ability matters for success in many fields — and not just up to a point.”
They point out how research has shown “…that “working memory capacity,” a core component of intellectual ability, predicts success in a wide variety of complex activities.”
They conclude their refutation of Malcom Gladwell, and those who follow his convoluted and discredited theory with, ” It would be nice if intellectual ability and the capacities that underlie it were important for success only up to a point. In fact, it would be nice if they weren’t important at all, because research shows that those factors are highly stable across an individual’s life span. But wishing doesn’t make it so.
None of this is to deny the power of practice. Nor is it to say that it’s impossible for a person with an average I.Q. to, say, earn a Ph.D. in physics. It’s just unlikely, relatively speaking. Sometimes the story that science tells us isn’t the story we want to hear.” (http://www.nytimes.com/2011/11/20/opinion/sunday/sorry-strivers-talent-matters.html?_r=2&)
I next read, “Response to Zach Hambrick” by David Schenk. His post begins, “Thanks for the opportunity to join this discussion. In order to point the way to the fullest possible answer of “How do people become great at what they do?” I suggest that we first need to pull back and ask a few even more basic questions, such as:
– Where do abilities come from?
– What is intelligence?
– What is innate?
– What does “heritable” mean?
I’m obviously not going to tackle all of these giant topics right now.”
Well, why not?! I will let you read what Mr. Schenk has to say (http://www.creativitypost.com/psychology/debate/response_to_zach_hambrick).
I would, though, like to add the last paragraph written by David:
“But there’s also something very beautiful in the science I see — including Ericsson’s wonderful work. It is this: with the exception of people born with severe defects, most every human being has, at the moment of conception, an extraordinary potential. We are biologically designed to adapt to our circumstances. People become great at what they do when they have some sort of very deep and constant need to be great.”
I would like to focus on the last sentence. I played baseball for a decade, from the ages of ten to eighteen. I had a “very deep and constant need to be great.” I spent far more than 10,000 hours practicing and playing the game of baseball. I had everything required to play baseball except size and strength. I was good enough to have been offered a contract by both the St. Louis Cardinals and New York Mets to play minor league baseball, but the scout for the Cards told me, “You are good enough to play at double A, but will probably ride the pine at triple A, but you could have a job in baseball such as coach or manager, or maybe be a scout.” The part that stuck with me was “ride the pine.” I had never sat on the bench and the prospect did not sound appealing to me, so I stopped playing baseball.
I cannot help but think of the book “Moneyball,” which was made into a movie, and the General Manager of the Oakland A’s, Billy Beane, played by Brad Pitt. Billy had been an outstanding baseball player, one who “had all the tools.” Yet he did not make it to “The Show.” He tells the story of facing a flame throwing pitcher whom he did not want to face again. On the other hand, his teammate, Lenny Dykstra, nicknamed “Nails,” grabbed a bat saying, “Let me at ’em. I’ll hit that expletive deleted!” Lenny, a much smaller man than Billy, made “The Show,” and had some very good seasons, even if it took “the juice” to do it. Like Pete Rose, Lenny has had a difficult time out of baseball, and last I heard was in prison.
Pete Rose did not have all the tools, but he had a burning desire to play baseball. His nickname was “Charley Hustle.” I tried my best to emulate his “all-out” style of play. Pete holds the MLB record for most hits, lifetime. There have been many MLB players with more talent, but none with more base-hits. Then there was Eddie Stanky, a player about whom the infamous Leo Durocher said, “He can’t hit; he can’t throw; and he cannot run. All he can do is beat you.”
“People become great at what they do when they have some sort of very deep and constant need to be great.” Does that not sound like Bobby Fischer?
There was a young man upon whom the Legendary Georgia Ironman hung the moniker, “Little Hayseed,” because he wore a straw hat. “Hayseed” came into the tournament world with a low rating and won money in every section until he made it to class “A,” where he found the going tough. Then he stopped playing. Xiao Cheng began at a young age, becoming a NM and won the Georgia State Championship. Then he was not seen for some time, until one night he came to the House of Pain. I asked him why he had stopped playing chess and he was honest enough to inform me that he gave it up because he did not like losing. Stephan Muhammad was a strong Senior Master who also won the Georgia State Championship. He lost five games at the 6TH NORTH AMERICAN FIDE in Chicago in November of 2007, then played in three tournaments in Atlanta, and that was the end of the tournament road for him. He was a Life Master who topped out at 2468, but then went into a nosedive (http://main.uschess.org/datapage/ratings_graph.php?memid=12355370).
I have often wondered if players such as these played because they loved winning, not playing. Marshall Jaffe, may he R.I.P., was a Senior who played at the Atlanta Chess Center in one of the lower sections. I noticed Marshall always used most of his time and once complimented him for it. “It takes me longer to make my bad moves,” he said. Then he added, grinning, “I just love to play the game.”
Is that not why the game is played? I have enjoyed a hard fought loss more than some “walkovers” I have played. The thing about chess is that it used to be that one could always find someone to battle of about the same strength. Until, that is, what is now called the “youth movement.” Most of the players who “just loved to play the game” have found other pursuits, to the detriment of chess. We cannot all be winners, but chess is the loser when people stop playing.