Prior to beginning this series I wonder what type player would feature prominently in coming closest to playing as many moves played by the Stockfish program used at lichess.com. Please note one of the following players was unrated at the time the game was played. What makes this game so remarkable is that it was drawn!
Today Chess.com published their “2022 Chess.com Awards Winners.”
“Over 10,000 members chimed in with their votes this year, and Chess.com is happy to announce the winners of the 2022 Chess.com Awards! These awards are an opportunity to celebrate the fantastic year 2022 has been for chess. They are also a way for the community to recognize and reminisce on the great games, moves, players, creators, and other highlights this year brought us.” (https://www.chess.com/news/view/2022-chesscom-awards-winners)
Chess.com writes: “At Chess.com, our members played more than 3.5 billion games throughout the year, and that’s not even counting the over 1.5 billion games played against bots. We’ve also surpassed 100,000,000 members—if Chess.com were a country, we’d be the 15th most populous on Earth!”
Do tell… The ten thousand members who “chimed in with their votes this year…” divided by the one hundred million members tells us only .0001 members did the chiming.
One reads: “Watching top chess engines playing chess is a unique experience. No other chess games are as beautiful—and, at times, chaotic—as engine chess. This year, Stockfish’s unbelievable tactical victory over Leela Chess Zero takes the prize for Computer Game of the Year. Stockfish sacrificed material left and right to roll over its silicon nemesis in a game filled with ideas that no human mind could ever come up with.”
Stockfish vs. Lc0, TCEC Season 23 - Superfinal
Stockfish vs. Lc0, CCC 17 Blitz: Finals
Stockfish vs. Lc0, CCC 17 Blitz: Semifinals
Who wrote that crap? Could it maybe be the collective “wisdom” of Chess.com? Let us break it down by sentence.
“Watching top chess engines playing chess is a unique experience.”
Say what?! Watching “top chess engines playing chess” may have been a “unique experience” way ‘back in the day’ when computer programs were new, but those days ended when Kasparov tanked against one of the programs. Today it is an every day occurrance.
The next sentence states: “No other chess games are as beautiful—and, at times, chaotic—as engine chess.”
One often hears that “Beauty is in the eye of the beholder.”
“Beauty is in the eye of the beholder” means that everyone’s view of beauty is subjective, and there is no general standard of beauty. What one person finds beautiful, others may find ugly, and vice versa.”
The origin of the saying, “beauty is in the eye of the beholder,” comes from the author, Margaret Wolfe Hungerford (née Hamilton). Hamilton would use the pseudonym “The Duchess” for much of her career. Her book “Molly Brawn,” published in 1878, features the saying in its modern format.
This needs repeating: “No other chess games are as beautiful—and, at times, chaotic—as engine chess.”
The unnamed person, or persons, who wrote the above obviously have never replayed any game by the Magician from Riga, Mikhail Tal!
No one in his, or her right mind who has replayed the games of Tal would ever write such nonsense. Unfortunately, it continues:
“This year, Stockfish’s unbelievable tactical victory over Leela Chess Zero takes the prize for Computer Game of the Year. Stockfish sacrificed material left and right to roll over its silicon nemesis in a game filled with ideas that no human mind could ever come up with.”
BULL EXCREMENT! I loathe and detest nattering nabobs who sell we humans short. Many of the games of Mikhail Tal prove the obviously ignorant humans at Chess.com wrong.
Stockfish vs. Lc0, TCEC Season 23 – Superfinal
Stockfish vs. Lc0, CCC 17 Blitz: Finals
Stockfish vs. Lc0, CCC 17 Blitz: Semifinals
I attempted to click onto the first, hoping to watch the game chosen as the “Computer Game of the Year” but is was not possible. After reading the whole damn article the game was not found. Therefore I did a search and found what may be, or may not be the game in question:
Short games are a must for teaching Chess in almost any circumstance because of the time factor. When time is a factor a teacher must opt for the slash and dash of Mikhail Tal
over that of the ultimate grinder, Ulf Andersson.
There are many books containing short games, and most have seen action, but I have recently been adding short games to a folder and it was the resource used at the last minute when pressed into service with the clock ticking. Unfortunately, I did not copy the url and had no idea how it made it to the folder. This was disconcerting, to say the least. The game was played over a century ago. After the lesson my brain was racked in a futile attempt to locate the origin of the game. I put the game into both 365Chess and the ChessbaseDatabase in a futile attempt to locate the origin of the game, and was shocked to discover it was not found in either database. Flummoxed, I went to bed, still thinking about the game. After telling myself to put it outta my mind I was ready for sleep…When drifting off to nod heaven it hit me! It had to have come from the excellent website of Mark Crowther,
The Week In Chess, (https://theweekinchess.com/) the granddaddy of them all. Just about every morning the first Chess website to which I surf is the venerable TWIC, and each and every day there is a new Chess Puzzle which I attempt to solve. What follows are the pithy comments made to the youngsters as this writer attempted to teach the children well in a very limited amount of time.
1.e4 e5 2.Nc3 Nf6 3.Nf3 Nc6 4.Bc4 (4 d4 is the move) 4…Nxe4 5.O-O (Nxe4 is best) 5…Nxc3 6.bxc3 (Taking with the d-pawn is better) 6…d6 (6…e4!) 7.Re1 (7 Qe2!) 7…Be7 (“Castling looks good”) 8.d4 Bg4 (“Why not castle?”) 9.h3 Bxf3 (I would retreat the prelate to h5. Then comes the question, “What’s a prelate?”) 10.Qxf3 O-O 11.Bb5 (“I would play Be3 or Rb1.” Then comes feedback. “Which one”?) 11…Na5 (“11…exd4 must be examined”) 12.Bd3 (“How about 12 dxe5?”) 12…g6 13.Bh6 (“Again, 12 dxe5 is possible”) 13…Re8 14.dxe5 dxe5 (“Maybe 14…Bg5 or how about Bf8?”) 15.Rxe5
15…Nc6 (“Looks like 15…Bf8 had to be played)
This is when the AW was ASTOUNDED when a little girl, who rarely speaks unless spoken to, erupted with, “QUEEN TAKES PAWN!!!” After gathering myself I asked, “Queen takes pawn, where?” She answered, “On f7.” I replied with another question, “And what does Queen takes pawn do?” She blurted, “It checks the King!” So I followed with, “Now say it right.” And she said, “Queen takes pawn on f7 with check!” All I said was, “YES! Ma’am.” That may have been the first time she had ever been addressed as “Ma’am.” She was giddy with excitement…and so was the AW.
16.Qxf7+ Kxf7 17.Bc4+ Kf6 18.Re6+ Kf7 19.Rd6#
Oskar Naegeli vs Emil Mayer Zuerich CC Zuerich, 1908 C46 Four knights, Italian variation
1.e4 e5 2.Nc3 (C25 Vienna game) 2…Nf6 (C26 Vienna, Falkbeer variation) 3.Nf3 (C42 Petrov three knights game) 3…Nc6 (C46 Four knights game) 4.Bc4 (According to every Stockfish program, all three of them shown at the ChessbaseDatabase, 4 d4 is de rigueur, yet in 5191 games 5 d4 has scored only 49% against an average opponent rated 2434, while the move 5 Bb5 has scored 54% in 6164 games against 2408 rated opposition. The move played in the game has only scored 44%. My recommendation is to give them the Glek and play 5 g3! Let me ad that after black’s 3rd move appeared onscreen one of the girls squealed, “That allows the fork trick!” This made the AW smile, thinking they had at least learned something…) 4…Nxe4 5.O-O (All three SF programs play 5 Nxe4, yet it has only scored 38% in 126 games versus an average opponent rated 2376. Castles has scored 43% versus 69 opponents rated 2371 on average) 5…Nxc3 6.bxc3 (This move was not found at the CBDB and you know what that means…It was a different story over at 365Chess with a total of eight games located in which the move was 6 bxc3) 6…d6 (This move was not one of the three moves having been attempted in this particular position. There are six examples of 6…d5; one each of 6…Be7 and 6…Be6) 7.Re1 (If you do not know what move the AW would make you have not read enough of the blog. For you without a clue, it has something to do with the title of that recent extremely popular Chess video with Gambit in the title) 7…Be7 8.d4 Bg4 9.h3 Bxf3 10.Qxf3 O-O 11.Bb5 Na5 12.Bd3 g6 13.Bh6 Re8 14.dxe5 dxe5 15.Rxe5 Nc6 16.Qxf7+ Kxf7 17.Bc4+ Kf6 18.Re6+ Kf7 19.Rd6# 1-0
In a few days, I will publish a complete review of one of the most majestically beautiful Chess history books I have ever had the pleasure to read:
After having written several posts concerning the plethora of draws recently, especially short ones of less than ten moves, at the Charlotte Chess Center & Scholastic Academy, I wanted to include what follows in the review. To do so would have meant cutting some of the material, but each and every time I attempted to do so it just did not feel right. I therefore decided to publish pages 114 through 118, actually about four pages in total, in their entirety. I hope reading these few pages gives you an idea of how good is this book. This part is titled: A Skirmish With Flohr
In the second half of the 1930’s, the campaign against the “enemies of the people” gained momentum. On 31st March 1936, the Russian SFSR People’s Commissar of Justice Nikolai Krylenko
reported to Stalin
that the number of cases and convictions involving “counter-revolutionary crimes” had been steadily increasing since 1935. This was also the time of the first accusations of “sycophancy before the West” in the press. Soviet chess was also affected by the campaign. In the February 1936 issue of Shakhmaty v SSSR, Peter Romanovsky published an article “Fighting For the Concrete Line, or the Chess Dogma”. It was a vicious attack against grandmaster Salo Flohr,
who, in Romanovsky’s words, “hoisted the banner of routine over the chess world, trying to prove the inevitability of him winning the world championship in the future.” We should note that a change of power had taken place in the chess world by that point, which was also mentioned by Peter Arsenyevich: “Alekhine, the great advocate of development and deepening of the chess idea, loses an important contest to Max Euwe,
who has strictly dogmatized the strategic methods of his creativity.” The Western dogmatists and conservatives were grabbing the highest places in the chess world! This was the main concern of Peter Romanovsky’s article. But not everything was so bad, the author contended. The Soviet country had the power to direct chess thought towards creativity: “The chess community of the USSR counters Flohr’s routine with Botvinnik,
a subtle connoisseur of very diverse positions, which almost always allows him to transcend the limits of dogma when needed, while still basing his play on the said dogma, and to surprise his opponent with unexpected concrete possibilities that are often overlooked by the principal frameworks of chess creativity.” It looks like an advert for the future first Soviet world champion. While attacking Flohr, the author sympathizes with the “renegade” Alexander Alekhine at the same time. But this “paradox” is really not surprising. During his first match against Euwe, Alekhine sent a telegram to the Soviet chess officials, which was published in Izvestia and 64: “Both as a long-time chess worker and as a person who understands the huge importance of everything that was achieved by the USSR in all areas of cultural life, I send sincere greetings to the USSR chess players in honor of the 18th anniversary of the October Revolution.” There’s a version that Alekhine was planting a seed to return to his homeland with this telegram, but the loss to Euwe disrupted those plans. The harsh criticism of Flohr continued into 1937, spilling onto the pages of 64. Over three issues (Nos. 13, 15, and 19), Peter Arsenyevich published an article “Some Modern Creative Tendencies”, directly accusing the Western grandmaster of cowardice! As the starting point for his criticism, Peter Romanovsky cites his game against Botvinnik from the 1935 Moscow International Tournament. Romanovsky sacrificed a pawn for the initiative in that game, but then made a mistake and had to resign: “Grandmaster Flohr didn’t exactly mince his words about this sacrifice in one of his tournament reports. ‘I personally, he wrote concerning this game, ‘prefer to sacrifice my opponent’s pawns rather than my own.’ This small phrase, seemingly only describing a concrete chess event, actually hides a big and principle-based worldview, based on the concept of excessive caution in over-the-board chess struggle, especially against strong players.” By sticking to this concept, Flohr acts as a mouthpiece for a lot of players.” Then Peter Arsenyevich gives a rundown of the so-called “Flohr school and its followers”: “1. Opening theory is thought as all-important.Playing without creating weaknesses in your own camp.
Avoiding both offering and accepting sacrifices if clear evaluation of the compensation is not possible. Ascribing especial importance to the technical side of the struggle and thus a persistent tendency for positions that are resolved in a technical way.” After maintaining his silence for a time, Flohr finally answered Romanovsky with an article “More of Modern Creative Tendencies” ((64, No. 36): “I am not going to counter-attack the distinguished master P. A. Romanovsky, whom I deeply respect, even though he structured his article, published by 64, on a faulty basis and outright insulted me in some places; I would just like to defend my creative views. P. A. Romanovsky ridiculously simplifies my views of chess by alleging that the quote about preferring ‘to sacrifice my opponents’ pawns rather than my own’ is my credo… Romanovsky’s article contains a serious accusation that is characteristic of the ideological representatives of the so-called pure combinational school. At every opportunity, they attack the masters, accusing them of ‘betraying’ the chess art… A modern master should be a master of tactics first and foremost – he should see through his opponent’s plans, find the resulting combinations, use the slightest advantage, deeply understand the dynamics of the chess game. It’s not a purely professional technique. It’s much easier for me to calculate a forced 10-move combination than find one best move in a strategically simple position.” Then, to reaffirm his words, Flohr shows a subtle endgame from the sixth game of his 1933 match against Mikhail Botvinnik,
Flohr, Salo vs Botvinnik, Mikhail Event: Moscow/Leningrad m Site: Leningrad Date:1933 Round: 6 ECO: E38 Nimzo-Indian, classical, 4…c5
with two bishops outplaying the Soviet champion’s two knights. Alexander Alekhine valued this positional masterpiece highly.
“A young master frequently begins his career with fiery combinations. Then, influenced by his experience, he evolves towards the modern way of playing. This is an inevitable process. Other wise, the young ‘combination player’ won’t progress past the average level and will be pushed aside by better players.” (A) At the end of his article, Flohr speculated about the inevitability of chess mistakes: “The tactical player who always plays without mistakes, like a clockwork machine, has not yet been born. As soon as the players P. A. Romanovsky dreams of arrive, the art of chess will cease to exist.” It was naive to expect the opponents to change their points of view on chess. The grandmaster and the distinguished master held to their own opinions, criticizing each other at every opportunity. For instance, Salo Flohr, who moved to the USSR in 1939, played for Moscow in the traditional match against Leningrad. His opponent was Ilya Rabinovich.
Flohr wrote in an annotation to that game: “Master I. Rabinovich is a very obliging opponent.
To the joy of the distinguished master P. Romanovsky, he gives me an opportunity to finich the game in a ‘creative’ style. A combination follows – not too complicated, but the spectators liked it.” Flohr wasn’t the only “victim of Peter Arsenyevich’s criticism. Romanovsky also targeted another potential world championship candidate – the american grandmaster Reuben Fine.
He explained the American’s wins in the 1937 Leningrad and Moscow tournaments by the fact that the Soviet masters “helped him with his intentions to create familiar setups in the opening rather than trying to challenge him on unfamiliar grounds.” Peter Arsenyevich even coined the term “Fine-Flohr style”, heavily used in the Soviet chess press of the late 1930s. However, life ultimately reconciled Romanovsky and Flohr! After retiring from active competition, the opponents stopped being too categorical in questions of chess creativity. In his revised training books, published in the 1960s, Peter Arsenyevich rooted for…harmony of styles! Here’s what he wrote in the book Middlegame. Combination (Moscow 1963): “The chess circles still distinguish between positional and tactical playing styles, between positional and tactical players. Any of those ‘labels’ stuck on a player are insulting to the players themselves first and foremost, because they suggest that his chess skills and talents are limited and one-sided. You cannot execute and prepare a combination without understanding the laws of positional weakness and game planning. You also cannot execute creative plans if you haven’t mastered tactics, if you don’t have a sharp eye for combination motifs.” And what about his opponent? “Many years ago, when I lived in Prague, I developed a strategy,: Flohr recalled in 1957 in Shakhmaty v SSSR, No. 4. “At any tournament, I would try to defeat the weak players and draw with the stronger ones. My main motto was, Don’t lose! This brought some good results… Lately, I’ve been in the spectator hall a lot, listening to chess fans’ comments. Now I clearly realize that I was deservedly criticized by the spectators in my earlier days when I stopped playing on move 20. In 1937 and 1938, I was thinking that the chess world was applauding me: he’s so great, he rarely loses. Oh no, now I understand that I wasn’t great. The one who wins is great! I realized long ago that my strategy was limited, poor, defective from the creative point of view. A chess player who adopts such a style cannot be popular among chess fans, and such a player will never become a world champion. Now that I am close to retiring from competitive chess, I deeply regret the fact that I stopped dozens of my games prematurely for the sole purpose of avoiding losing a half-point. What do those several draws with Alekhine give me today? It would have been better to have lost a few more games to him, but, on the other hand, maybe I’d have managed to defeat him once?” (B) This is the key to the argument between Flohr and Romanovsky from the faraway 1930s! It was the perennial dispute between the creative and consumer approach to chess. We should remember Voltaire’s classic quote: “All genres are good except the boring kind, but boring isn’t a genre.”
(A) After reading this I stopped to reflect on the transformation of the great purveyor of ‘slash & dash’ chess, World Champion Mikhail Tal. After being forced to work with Anatoly Karpov, Tal was transformed into a much more complete player. It has been written that the latter Tal was even stronger than the young Tal.
(B) The closing lamentation of Salo Flohr brought to mind the famous words of the poet John Greenleaf Whittier: “Of all sad words of tongue or pen, the saddest are these, ‘It might have been.”
The Ironman Chess Club began over nineteen years ago by the self-proclaimed “Legendary Georgia Ironman,” Tim Brookshear.
During that time the club has met on the first and third Tuesday evening of each month. The first location was in the Church of Decatur Heights, which was a nice location because of the large meeting area, and better yet, ancillary rooms for parents to use while their children played Chess. Unfortunately, times changed and as the older people left they were replaced by new people, some of whom could not understand using the space for anything other than worship a nebulous entity that may, or may not, be. Although the Ironman’s parents had attended the church Tim preferred playing in the fourth round of a weekend Swiss tournament. “Bacon,” he would say, “Chess is my church.” The old pastor left and was replaced. The club continue meeting, but there was this one particularly nasty “church lady,” no doubt filled with the spirit, who wanted what she considered the blasphemous Chess players eradicated. The woman, may she burn in Hell, got her wish and the club had to be moved. The new location was the North Dekalb Mall. For many years the club met in the food court, which was a trip, what with all the passersby and attendant noise. Still, it was free and you cannot beat free, especially when it comes to Chess. This lasted some years before the mall began losing tenants. Near the end there was only one restaurant open in the once bustling food court, but still the Ironman CC continued meeting twice a month. Then there were none, and the mall stopped turning on the main lights. There was still a modicum of light and the ICC continued meeting. The roof began leaking, but still the ICC met. One father would bring his three boys all the way from the north side, which was something because the Ironman began at six pm. The traffic that time of day is a nightmare on a good day. People new to Chess would somehow find the club. GCA board members would come to play, along with absolute beginners and those of Master strength. The Ironman Chess Club was certainly sui generis.
Then one evening an obviously mentally deranged woman screamed and hit her child, which was in a stroller, and stayed there most of the evening, screaming and slapping the poor child. The Ironman lost more than several regulars after that meeting. The woman caused the Ironman to move into the back room of Challengers, an game store owned by a nice fellow, Tony, who had actually played youth Chess while in school. There was enough room for a couple of dozen players in the back room, which was used for gaming and storage.
The last meeting of the Ironman CC held at the North Dekalb Mall was March 19, the second Tuesday of the month. For obvious reasons only a few people attended. I was not one of them. The mall finally closed and could not meet this past Tuesday, April 7, 2020. Yet there was a meeting, of sorts, of the Ironman Chess Club…
After having mentioned another game to show the Ironman earlier I had found another, making two games for me to “present” the Ironman. Tim said, “The Ironman may not be meting tonight but I intend on sitting down at the board to study Chess. How about you showing me one of those games you said you wanted me to see tonight, Mike?” Wa-la, a meeting of the Ironman CC!
Many of, if not most of you readers may have seen this game, but it was not in the Ironman’s purview. I urge you to play over the game the old fashioned way, on a board with pieces while covering the moves in order to see the beauty of the game, which would have made Mikhail Tal proud. Look at it from the black perspective in an attempt to find the moves made by GM Vitaliy Bernadskiy. When first starting out in Chess the Kings Indian Defense was my main defense against 1 d4, because Bobby played the KID. I liked the way black could use a slow build up to attack white. Later I moved on to the Grunfeld, before moving on to the Dutch, specifically, the Leningrad Dutch, as regular readers must certainly know…
1 d4 Nf6 2 c4 g6 3 f3 (What would Ben Finegold say? Stockfish prefers 3 Nc3. Who am I to argue?) 3…Bg7 (Komodo and Houdini play 3…c5. Wonder what the Fish plays?) 4 e4 O-O (SF 9 @depth 40 plays 4…c5, a move not shown at the CBDB; SF 11 @depth 47 plays 4…d6, by far the most often played move) 5 Nc3 (SF 160919 @depth 43 the seldom played 5 Be3; SF 11 @depth 31 plays the game move, the most often seen according to the CBDB) 5…c6 (SF, along with 98% of the games contained at the CBDB plays 5..d6) 6 Be3 (The move played by Komodo and far and away the most often played move, but, wouldn’t you know it, Stockfish shows the little played 6 Bd3 as best) 6…d6 (The most often played move at the CBDB, but over at 365Chess the weaker players prefer 6…d5) 7 Nge2 (The Stockfish move, but Komodo 10 @depth 28 plays the most often played move, 7 Qd2. Komodo 13.02 @depth 32 plays 7 Qc2. The databases contain only one game, if it can be called a game, with the move:
7…a6 (The CBDB contains 606 games with 7…e5. There are 193 games with 7…a6, yet SF plays 7…Nbd7, of which there are only 25 examples) 8 c5 (The most often played move at both the CBDB & 365Chess, but only Komodo 13.01 @depth 34 plays it. The same program going deeper to depth 38 plays 8 Qd2. SF 251219 @depth 46 plays 8 a4) 8…Nbd7 (SF approves) 9 cxd6 ( SF 251219 plays 9 Qc2, a move not shown at the CBDB or 365Chess. Komodo plays the most often played move, 9 Qd2. Deep Fritz, though, does play the move played in the game) 9…exd6 10 Ng3 (SF 251219 @depth 44 plays 10 Nf4, the most often played move at the CBDB, albeit in a limited number of games. Komodo plays 10 Qd2, while Houdini plays a TN-10 g4)
Vitezslav Priehoda, (2330) vs Marcel Kanarek (2476)
When the first issue of the American Chess Magazine debuted I mentioned something about it being expensive, writing the price of the magazine, twenty five dollars, was as much as a book. My intention was to read, and then review, the first issue. After contacting someone at the ACM about receiving a review copy I was informed it would only be possible to receive the first copy if I anted up twenty five dollars, for which I would receive the first two issues. I turned down the “offer.”
It was only a few months ago upon returning to the Atlanta area that I got a chance to peruse past issues, which were wonderful. The new issue, issue #11, the second issue of 2019,
was the second issue after increasing from four issues to six issues per year. The new US Women’s Chess Champion, Jennifer Yu, graces the cover, surrounded by a pink background. This is my review.
I will be completely honest and say that before taking the magazine out of the plastic wrap I was hooked, and not because of the picture of a very pretty young lady on the cover, although I can see what a wonderful hook is Jennifer Yu!
It is a shame the ACM is not sold at book stores or newspaper and magazine stands because the cover would attract much interest. This on the cover is what “hooked” me:
American Civil War A Dying Southern Diarist Theodore P. Savas
I read the article immediately before even scanning the magazine and it brought tears to my eyes. I was born in the back seat of a ’49 Ford convertible on the way to Emory University Hospital in Decatur, Georgia, which means I was born a Southerner, as is often heard in the South, “By the grace of God.” The diarist, “Leroy Wiley Gresham, was born in 1847 to an affluent family in Macon, Georgia.” His mother’s name, Mary, was the same as my Mother’s name. The title of the article is, An Elegant Game: The American Civil War, a Dying Southern Diarist, and a Fascination with Chess. Leroy Wiley Gresham wrote his diary during the War of Northern Aggression, while he was dying. It is an elegant piece. I could end the review now and give it five stars, but there is more, much more, contained in this elegant issue!
Although I have read extensively about the War Between the States during the course of my life, it has been some time since I have read a book on the subject. This will be remedied when the book upon which the article is based, The War Outside My Window: The Civil War Diary of Leroy Wiley Gresham, 1860-1864, edited by Janet Kroon, which I have ordered, arrives.
The focus of the magazine is the most recent US Chess Championships. The annotations of the final round game are by the loser, Jeffery Xiong,
Isle of Man Chess International, Round 5, 24 October 2018. Photo by John Saunders
and they are excellent! For example, look at this position:
Jeffery writes, “21. Qb1 Preventing any …a4xb3 and Ra8-a2 ideas. But 21 Rfe1, quickly preparing Nf1-d2 and e2-e4, might have been more to the point.” Some annotators provide Lubomir Ftacnik
style reams of analysis when all that is needed is something simple. At the conclusion of the game Jeffery writes, “It was as clean a win as you can get with the black pieces. The opening experiment proved to be golden as my inexperience in this type of position was revealed to its fullest extent. Nakamura
played truly inspiring chess, especially with the black pieces, and his will to win in this game made him the deserved champion. He has amply demonstrated his greatness, being one of the perennial top-10 players in the world. Any player can win games, but at top level only great players are capable of consistently winning must-win games!”
GM Jeffery Xiong has shown his class as a gentleman with what he has written about what must have been a tough game to lose.
The honesty continues when Xiong annotates his win with the black pieces against the now dethroned US Chess Champion, Sam Shankland,
when Jeffery writes at the end of the game, “At first I was quite pleased with my play as I felt I had found some nice ideas. However after heading back to my hotel room and opening ChessBomb, I saw a sea of red moves! Nonetheless, I was now leading the tournament with 2 1/2/3, yet fully aware that the quality of my play was not entirely satisfactory.”
This is amazingly honest writing.
A few pages further into the magazine one turns the page to see a beautiful picture of the new US Women’s Champion, Jennifer Yu, sitting at a Chessboard behind the black pieces while flashing a gorgeous smile. The title above reads, Lady With A Torch, which is appropriate because Jennifer torched the field this year! One reads, “Exclusive annotations and an interview by WGM Jennifer Yu.” The following page contains the game between former many time Women’s Champion Irina Krush,
the Music City Master, gave a lecture which happened to be this very variation. After 7 a3 Qd7 Jennifer writes, “Not 7…dxc4?, when after 8 Bxf6! exf6 9 d5 Black loses a piece.” I recall raising my hand during the early part of Todd’s lecture asking about the early move c5 for White. Todd was nice enough to illustrate what was behind the move c5 for the audience, while letting me know in a nice way it was a lecture, not a Q&A. The game continued, 8 Be2 Rd8 9 Bxf6 exf6 10 c5. Ms. Yu writes, “Although a general principle of chess is to maintain tension in the center during the opening, this is a good move that prevents any…dxc4 tricks. It locks up the center and challenges the wisdom of my piece placement, making the bishop on e6 and the rook on d8 look silly, since these pieces no longer have any prospects against c4 and d4. 10 Bf3 doesn’t work because after 10…dxc4 11 d5 Qe7! the threat to the white king, as well as the pin on the white d-pawn, provides the black knight and bishop with immunity against the fork.” The annotations are exceptional.
I could go on and on, but this is a blog post. Still, I must mention an article by GM Alex Fishbein,
Secrets Of Same-Color Bishop Endings, which is superlative! And then there is the wonderful article, Beauties of Underpromotion, by IM Boroljub Zlatanovic, which was enjoyed immensely!
Unfortunately, not everything included in the magazine is rosy. Fresh Leaves from the Bookshelf is the title of the book review column by FM Carsten Hansen.
In this issue the FM has “reviewed,” and I use the word rather loosely, ten books. As he did in the previous issue Mr. Hansen reviewed ten books for the ACM. Beginning with the previous issue the ACM went from being published quarterly to bi-monthly. It may have been possible to review ten books quarterly, but how is it possible for anyone to read ten Chess books every other month? The answer is contained in the review of Tal, Petrosian, Spassky and Korchnoi,
by Andy Soltis,
published by McFarland. (https://mcfarlandbooks.com/) Hansen writes, “When I first saw the description of this book, (There is no need for the comma) I wasn’t quite sure how I felt about it. (“Upon first seeing description I did not know how to feel about the book.” THE ACM needs a good editor.) However, having now received a copy and read a fair amount of the text…” Let us pause in the middle of the sentence to reflect. Many years ago someone mentioned something about coming to the House of Pain “soon.” This caused David Vest, the only man to have won both the Georgia Chess Championhip and Georgia Senior Championship, to pose the question, “How long, exactly, is soon?” He added, “I hate those nebulous words…” This began a discussion concerning nebulous words. A short time (Nebulous!) later Mr. Vest, heading out the door, said, “Tell Murphy I will be back in a little while.” He was half way out of the door when someone asked, “How long is ‘a little while’, Dave?” This brought the House down! What is a “fair amount” of the book? Your “fair amount” may not be the same as my “fair amount.” Can you imagine a New York Times book reviewer revealing they only read a “fair amount” of a book? I usually pay little attention to these short book reviews by writers who obviously simply scan the book reviewed. It would be better for Mr. Hansen to review only a few books he has actually read as opposed to scanning ten books before writing a review. It seems many reviewers spend more time writing the review than actually reading the book being reviewed.
Then there is the article, 50 is the new 40, by Jon Edwards, an ICCF Senior IM. Reading the article caused me to reflect upon the words written by GM Nigel Short
in New In Chess magazine 2019 #2
in his piece, Obsolescence, which concerns correspondence chess. “If ever an activity should have long ago expired and been buried with dignity, it is surely correspondence chess.” This caused Kirill Oseledets to write a letter to the editor of NIC in which he expressed his unfavorable opinion of NIC for publishing the Short column. Kirill wrote, “I was sincerely surprised and deeply disappointed to see that in New In Chess 2018/2 you published Nigel Short’s article with the provocative title ‘Obsolescence.’ Later he writes, “One thing that Nigel Short fails to recognize is that correspondence chess is first of all a research laboratory for chess.”
Mr. Edwards begins, “Chess players do not yet have access to AlphaZero and so we are left to peruse more conventional chess technologies. It is tempting to focus primarily upon new databases, new videos, and new online chess services, all of which keep me feeling young and invigorated, but the fact is that chess is experiencing another profound change that has gradually but inexorably changed chess forever.” Then the article begins and Jon writes, “Just a few years ago, patiently permitting a desktop computer to run for day or longer might net an evaluation depth of 35-40 ply, each ply representing a single half move.”
He continues, “With new hardware , it is not uncommon (Don’t ‘cha just hate it when a writer uses a double negative and the editor prints it?) today for such runs to reach a depth of 50 ply or even much higher, depending obviously upon the position, the number of viable moves for each player, and the chess engine being employed. Those depths are high enough to predict accurately the future endgames, which themselves become trivial to evaluate. These long runs in typical positions are producing a slew of draws in Correspondence chess. I present here the current crosstable of the Spanish Masters, a tournament in which I am competing. With just 8 games still unfinished, the crosstable creates quite an impression, a veritable sea of draws.”
The crosstable shows a tournament with fifteen players almost complete. There is only one decisive result, and the only ‘1’ and lonely ‘0’ stand out like Bo Derek!
Jon continues, “You might indeed conclude prematurely that correspondence chess is therefore fully dead or dying.”
Duh, ya think?!
“But that’s not the point or the end of the story. The reality is that it is becoming very hard to win, but it is still possible!”
The CC IM writes this because the only game won in the “veritable sea of draws,” was won by the author…
He continues, “Those long runs are turning up interesting finds.”
“I parlayed one such discovery into a win over the reigning Russian correspondence chess champion, the only win so far in this crosstable.”
The game is given, along with a game played later by former World Chess Champion Vishy Anand,
who was unable to produce the move found by a computer Chess program after a “long run.” At the Isle of Man Anand faced Artemiev
with white and these moves were played: 1 e4 c5 2 Nf3 d6 3 d4 cxd4 4 Nxd4 Nf6 5 Nc3 a6 6 Be2 e6 7 f4 Be7 8 Be3 0-0 9 g4 d5 10 e5 Nfd7 11 g5 Nc6.
“Undoubtedly unaware of the game I had recently completed, Anand tried 12 Qd2.”
“I reached the diagram position through a different move order: 1 e4 c5 2 Nf3 d6 3 d4 cxd4 4 Nxd4 Nf6 5 Nc3 a6 6 Be3 e6 7 Be2 Be7 8 f4 0-0 9 g4 d5 10 e5 Nfd7 11 g5 Nc6
Edwards continues, “I reached the diagramed position in December 2017 through a different move order: : 1 e4 c5 2 Nf3 d6 3 d4 cxd4 4 Nxd4 Nf6 5 Nc3 a6 6 Be3 e6 7 Be2 Be7 8 f4 0-0 9 g4 d5 10 e5 Nfd7 11 g5 Nc6. Sensing an opportunity for White, I ran Robert Houdart’s Houdini 6.02 Pro x64 for 35 days(!) on an Intel Xeon CPU E5-2687W @3.00 GHz with 32 GB of installed RAM. At depth 45, 12 Bd3 emerged not simply as the best move, as I had anticipated (Where is that darn comma when you need it?) but also with a completely winning advantage!”
“Edwards – Lobanov instead continued: 12 Bd3!! (Please note the ICCF Senior International Master gives not one but TWO exclamation marks for a move found by a Chess engine after doing whatever it is it does for over a MONTH of computing!!) Qb6 13 Na4 Qa5+ 14 c3
“I suspect the engines at lower depth had rejected this line owing to 14…Nxd4 15 Bxd4 b5 trapping the knight, but at higher depth, the engines easily find: 16 Bxh7+!! (Once again one exclam is not enough!!) 16…Kxh7 17 Qh5+ Kg8 18 0-0+ with a transfer of the Rf1 to h3. On 18…g6 (the toughest defense) 19 Qh4 Re8 20 Rf3 Bf8 21 Rh3 Bg7 22 f5! gxf5 23 Nb6 Nxb6 24 B5 with mate to follow. Without that line at his disposal, Lobanov chose instead to sacrifice a knight for two pawns but achieved insufficient compensation. Here’s the rest of the game.”
I will spare you the remainder of the game. Mr. Edwards adds this at the end of the game: “Not long after the game ended, I shared it with a GM friend of mine, the second for a world top-player, who ran 12 Bd3 on a very powerful mainframe overnight. He concluded that Black was already lost and he added White’s new idea into their collective repertoire. The translation: Our world’s best players fully understand the need for world class computing. He was able to do in half a day what took me more than a month! I do not know what hardware they are running but it clearly surpasses my setup. I am also proud that analysis of this game appeared in New in Chess Yearbook 129 (itl), pp33-35.
While it is clearly getting much tougher to win correspondence games and to achieve Correspondence IM and GM norms, any correspondence wins that doe occur clearly deserve considerable attention. Just ask Anand. I therefore recommend that strong players involve the Games Archive at iccf.com as a key part of their opening preparation. You will gain access to the archive after you sign up (for free).”
What, no double exclam after “free?”
Reading, “…correspondence chess is first of all a research laboratory for chess,” caused me to stop reading and start thinking about what was being read. I thought the computer championships, such as the TCEC Chess tournaments, were Chess laboratories. Jon and his ilk input a position into a computer and let it do it’s thing for a month and call it Chess. Jon, and all other correspondence players would be much better off if they would go to a club or tournament and use their brain to actually play CHESS!
Jon was right when he wrote, “…chess is experiencing another profound change that has gradually but inexorably changed chess forever.”
With that sentence Jon Edwards just KILLED CHESS!
Consider the last theoretical novelty you saw from one of the top ten players in the world. Did it spring from the fertile imagination of a human like, for instance, the Magician of Riga, Mikhail Tal?
Or did it emanate from the bowels of some hellish mainframe? If it has gotten to the point where a computer can provide a world class Chess player a move early in the game with which any world class player will win, what is the point of Chess? Has it gotten to the point where, “Those depths are high enough to predict accurately the future endgames, which themselves become trivial to evaluate?”
If Jon is correct there is no point in watching Chess because one will never know how the ‘beautiful’ move was produced. A Chess fan will never know if the “tremendous move” emanated from a human brain or from the machinations of a computer program. What we currently have is some kind of symbiotic relationship between human and machine kind of like the ‘Borg’ depicted in the television show, Star Trek: The Next Generation.
The first World Chess Champion to lose a match to a computer program, Garry Kasparov,
became an advocate of some kind of Chess in which both players have access to a program, which, thankfully, did not become popular. It appears what happened is the symbiotic relationship was kept behind closed doors. The computers and programs were there all the time, like some kind of Wizard of Oz.
Because they were out of sight they were also out of mind.
What is the point of the folks at the Chess Informant awarding a prize for the “best” theoretical novelty if the TN was found by a computer program? It has reached the point where a Grandmaster without access to a mainframe computer has little chance against another GM with access to a powerful computer. Who is actually winning the Chess game, the human or the program?
Chess will continue to be played just as Checkers continues to be played by a small number of people. When was the last time you were aware of the world Checkers champion?
Then there is the last page, 5×5 Q&A “Where Grandmasters Advise Young Players.”
The advice being given is by Susan Polgar. What the woman did to the USCF was UGLY!
Checkmate!The Love Story of Mikhail Tal and Sally Landau,
is a beautiful book written about a lifelong love between two people, one of whom, Mikhail Tal,
happened to win a World Chess Championship match against the man called “the patriarch of the Soviet School of Chess,” Mikhail Botvinnik. (https://en.chessbase.com/post/botvinnik-the-patriarch)
The book, written by Sally Landau, and published by Elk and Ruby Publishing Company (http://www.elkandruby.com/), is a wonderful history of a time long gone with the wind. The author brings to life a different time and the people who lived during the Soviet Communist period. The book, like a Chess game, has only three chapters, the opening by Sally, the middle by Gera, the son of Mikhail and Sally Tal, and the end, again by Sally.
She begins the book by writing about herself. “I am an inconsistent and impulsive person, who first does and only then thinks about what I have done. I am an ordinary, vulnerable woman, in which a womanly nature lived and lives, found joy and finds joy, suffered and suffers, in the full sense of those words. The way I see it, selfishness and a desire for independence somehow manage to coexist inside me with love for the people surrounding me and a subconscious wish to be a woman protected by a man who lives for me – protected by him from all sorts of major and minor everyday troubles.”
Later she writes, “Still sharp contradictions coexisted within me: on the one hand, this immense fear of losing my personal freedom, on the other hand, this equally immense fear of solitude and a subconscious desire to have a strong man beside me with whom I wouldn’t be afraid of falling off an overturned boat in the open seas, even if I didn’t know how to swim. These contradictions played a significant role in my life with Misha…”
She writes about her impression of what it was like being a Jew in the Soviet Union. “So it wasn’t the external appearance of the Tals’ apartment that struck me that evening. Rather, it was its anti-Soviet spirit that I sensed. I immediately inhaled this pleasant middle-class air. It was apparent straight away that the people living there were not “mass-produced” but very much “hand-crafted”, and that relations between them did not fit into the usual framework of socialist society.”
“Misha was born a frail child. He had two fingers missing from his right hand. When she (Ida, Mikhail Tal’s mother) first saw her son after he was brought to her and unwrapped from his swaddling clothes she again fainted in shock at the site of his three crooked fingers. She was unable to breastfeed. Her lack of milk was perhaps due to those shocks. She was treated for a long time after that.
“When he was just six months old, Misha was struck by a nasty meningitis-like infection with a very high temperature and convulsions. The doctor said that his chances of making it were remote, but that survivors turn out to be remarkable people. Well, Misha began to read at the age of three, and by the age of five he was multiplying three-digit numbers – while adults were still struggling to solve the math with a pencil he would tell them the answer.”
“He got “infected” with chess at the age of seven and began to spend nearly all his time at the chess club, nagging adults to play him.”
Gera was a Medical Doctor and qualified to write about Tal’s well known medical problems.
“Well, the actual start of my father’s physical ailments, however banal it may sound, was the fact of his birth. Ever since then he simply collected illnesses. But the fundamental cause of course was his totally pathological, nephrotic kidney. It tortured him relentlessly. People suffering from kidney disease know that there is nothing worse in the world than pains in the kidneys. I don’t understand how such people can even exist, let alone play chess. I’m sure that it wasn’t my father who lost the return match to Botvinnik,
but his diseased kidney.”
“My father treated his life like a chess game, somewhat philosophically. There’s the opening, then the opening transposes into the middle game, and if no disaster strikes in the middle game you get into a dull, technical endgame, in which a person ultimately has no chances. As far as I know, father didn’t gain pleasure from playing endgames – he found them boring and insipid. Force him to give up smoking, brandy, partying and female admirers – basically, the source of intense experiences in the middle game of life – and he would find himself in the endgame, when he would have nothing left to do other than passively see out the rest of his life. However, that would have been a different person just resembling Tal. And what’s the difference – to die spiritually or die physically if you can no longer be Tal?”
Throughout their life, together and apart, Mikhail and Sally had other loves and lovers, yet remained friends. A love interest of his was written about but only named by the letter “L.” Research shows this was Larisa Ivanovna Kronberg,
a Soviet/Russian actress and a KGB agent. She was named Best Actress at the 1955 Cannes Film Festival for her performance in A Big Family. In 1958, she was involved in the Ambassador Dejean Affair, Kronberg lured Dejean in a honey trap. She was in a long-time relationship with World Chess Champion Mikhail Tal in the 1960s, they parted in the 1970s. (https://en.wikipedia.org/wiki/Larisa_Kronberg)
Sally had an affair with a man about whom she writes, “I won’t name him in the book. Why? Let’s say he was a high-up government official…I will call him “The Minister”…Let that be his name here.” Reading this caused me to reflect upon something IM Boris Kogan said decades ago about the KGB. “Mike, KGB like octopus with many tentacles that reach everywhere!” The relationship between Sally and “The Minister” was doomed to failure because a good Soviet communist did not consort with a Jew. Sally writes, ” Misha was such a unique person! I was living with Alnis; at the time he was effectively a common-law husband; and Misha understood that perfectly well. And yet, while he treated Alvis with respect, he continued to consider me his only woman and the most important woman in the world – his Saska. Alnis took quite a liking to Misha, saw what a remarkable person he was, and would say of him: “Tal isn’t a Jew. Tal is a chess genius.”
Tal playing the husband of his former wife Joe Kramarz, not only a Chess player but a HUGE fan of Mikhail Tal!
The book is replete with things like this from Yakov Damsky writing in Riga Chess, 1986. “He has a wonderful ability with language and always has a sharp wit. I remember, for example, after a lecture some tactless dude asked Tal: “Is it true you’re a morphinist?” to which Tal instantly replied: “No, I’m a chigorinets!”
“Petrosian once joked morbidly: “If I lived the way Tal does I would have died a long time ago. He’s just like Iron Felix.” (The nickname of Felix Dzerzhinsky, the founder of the KGB)
Having worked at the House of Pain I got a kick out of this: “Chess players talk to each other in the language of notation. I was always amazed at this. Although I understood nothing of it, I listened to them as though they were aliens, observing their emotions. If, for example, Tal, Stein and Gufeld got together, their conversation could flow along the following lines:
Gufeld: What would you say to knightdfourfsixbishopg2?
Tal: Yes but you’ve forgotten about if knightfsixintermezzoqueenheight!
Gufeld: Pueenheightrookgeightwithcheckandrooktakesheight and you’re left without you mummy!
Tal: But after bishopeone you’re left without your daddy!
Stein: Bishopeone doesn’t work because of the obvious knighttakesoneecfourdekinggsevenrookasevencheck!
And this wonderful chitchat would continue endlessly, with people not “in-the-know” thinking they were in a madhouse.”
During tournaments at the Atlanta Chess & Game Center it could be, at times, a “Madhouse of Pain.”
A player would walk up talking about his game in these terms while having the position clearly in his mind. I, on the other hand, had no clue, but would nod in agreement, or frown when called for, while commiserating with the player, understanding, but not understanding, if you get my drift. The worst was when two players who had just finished their game would come downstairs talking in variations, bantering back and forth, then look at me asking, “What do you think, Mr. Bacon?!” To which my usual response was, “That’s a heckofaline!” Hopefully they would smile and nod in agreement before giving way to the next player or players wishing to tell me all about their game…
“A grandmaster said to me once: “When Misha finds himself in a hopeless position, his head tells him this but he doesn’t believe that he, Tal, has no chances. He starts to seek a saving combination, convinced that such a combination exists – it’s just a matter of locating it. And as a rule he finds it. However, despite all its beauty and numerous sacrifices, the combination turns out to be flawed, and then the defeat becomes for him even more painful and humiliating than if he had been physically dragged face down in the road.”
After reading the above I reflected upon a game recently played over contain in the latest issue of Chess Life magazine. In reply to a letter to the editor GM Andy Soltis writes, “Good point, Dr. Seda-Irizzary. Tal is a splendid example because he understood the principle of “Nothing Left to Lose.” That is, when you are truly lost, you should forget about finding a “best” move that merely minimizes your lost-ness.” The game follows:
with whom I was great friends, once showed me around the Moscow chess club, and told me, pointing at the photos of world champions on the wall: Sallynka, look at them. They are all the most normal, mad people.” Well, I’m ever thankful that I lived my life among such “normal, mad people” as Misha,
and Tolya Karpov.
(Garry Kasparov is also a genius, but not mad – that’s my opinion, anyway.)”
I enjoyed this wonderful book immensely. Anyone with a love of the history of the Royal Game will be greatly rewarded for spending their time reading a beautifully written love story surrounded by the “mad men” who play the game of Chess. Please keep in mind I have told you not all the words.
I give it all the stars in the universe!
The sixth game of the 2018 World Human Chess Championship was drawn, as were the first five games.
There are multiple reasons all games have been drawn. The format of only twelve games lends itself to many drawn games. When Bobby Fischer
defeated Boris Spassky in 1972 the World Chess Championship was comprised of twenty four games. A player could lose a game, or two, as did Fischer to begin the match, and still have time to mount a comeback. In a much shorter match the combatants know one decisive game could be all she wrote. In addition, the players are evenly matched. One would expect extremely close games between the two best human players in the world. Then there is the fact that human players are much stronger and better than their predecessors. As Chess players improve there will be more draws, unless there are changes to the rules.
In the recent 2nd Du Te Cup 2018 played in Shenzhen, China 4th to 11th November 2018, six of the top Grandmasters in the World, rated between 2709 and 2816, played an eight round double round robin in which a total of twenty four games were played, only five of which ended in victory, and each was a win for the player with the white pieces. The first win did not come until the fifth round.
The recent TCEC computer program World Chess Championship is a possible indication of what could happen in future human tournaments and matches. Stockfish and Komodo played one hundred games; only twenty one were decisive. Stockfish won thirteen games with white; Komodo won five, for a total winning percentage of eighteen percent for white. Playing black Stockfish won only two games, while Komodo won only one. Only three percent of the games played ended in victory for the black pieces. Seventy nine percent of the games played by the two 3500 rated programs were drawn.
It was my intention to write something about the revelatory Chess articles being written at the website of ABC News, FiveThirtyEight (https://fivethirtyeight.com/), which has been on my radar because of the excellent articles written about Major League Baseball. I first surfed over to FiveThirtyEight to read an article mentioned on another Baseball website and soon was surfing there every day, and not only because of the MLB atricles.
“The resulting brouhaha convinced one respected chess journalist, GM Ian Rogers of Australia, to resign his job working with the American team: @GMIanRogers: Sadly parting ways with @ChessLifeOnline after a decade… (twitter.com):-
…I declined to accept edits to my round 4 World Ch’p report which would downplay responsibility of editors of the Caruana video, downplay the effect of the video on Caruana’s chances, and omit the key image from the video.
On top of that, all of the videos produced by the St.Louis Chess Club disappeared from Youtube. Out of sight, out of mind? Hardly. Someone in St.Louis is guilty of an unprofessional lapse of judgement. That’s the person who should resign — not a journalist doing the job he was paid to do.”
I must concur conclusively with Mark’s astute assessment of the situation. Who is guilty in St. Louis? Inquiring minds want to know…
In the latest column by Oliver Roeder, Chess World Rattled As Someone Nearly Wins Game, it is written, “Chess players are second only to maybe biological taxonomists in their proclivity to elaborately name things, and sure enough even this rare position has its own proper name: the Karklins-Martinovsky Variation. But neither player was troubled by Karklins-Martinovsky, they said after the game. Its theory is well known to these elite players.
And so they played on. The powerful queens came off the board by move 8, but this loss took no edge off the fight. For a while, the game looked less like a battle and more like a dressage competition, as 66 percent or more of each player’s first 12 moves were knight moves.”
The following paragraph can be found in the November 16 post by Mr. Roeder:
“The data scientist Randal Olson analyzed hundreds of thousands of chess games in an article a few years ago. The closer players are in rating, he found, the longer games tend to go. And as the players get better, draws become far more common. Carlsen and Caruana are as good — and about as close in rating — as you can get. Indeed, they are even beyond the scope of Olson’s chart below, with Elo ratings (which measure the strength of players given the opponents they’ve played) north of 2800.”
I clicked on the link provided and was sent to a column written May 24, 2014, by Randal S. Olsen. There is a fantastic picture of Bobby Fischer playing Mikhail Tal, which I saved. It was worth clicking on just to see the picture.
Then I went to Mr. Olsen’s home page (http://www.randalolson.com/) and found this: “Does batting order matter in Major League Baseball? A simulation approach”
Before the tournament began one could look forward to this game having a great deal in determining the 2018 US Chess Champion. In reality, Nakamura became an also-ran, while all Chess fans are wondering why Caruana decided to play in the Championship, especially after playing, and winning, the Grenke Chess Classic almost immediately after winning the Candidates tournament when the only thing that matters is the coming battle for the World Human Chess Championship. If Fabiano does not best Magnus Carlsen the pundits will have a field day questioning whether Caruana burned himself out playing so much Chess before the title match.
15. Ng3? This is a terrible move! Caruana backs down, refraining from playing the expected 15 fxe5. In the language of the clanking digital monsters the limpid retreat by Fabi gives his opponent an advantage of about a quarter of a pawn. Taking the pawn would leave Fabi with an advantage of about half a pawn. If Caruana plays weak moves like this against the World Champion he will lose the match.
15…f6 16. f5 Qf7 17. Bh4 Bb7 18. Qe2 Rad8
19. Nh1 (This move reminded me of the same move played by Aron Nimzowitsch, first seen in the book Aron Nimzowitsch: A Reappraisal
by GM Raymond Keene,
the plagiarist. (http://www.chesshistory.com/winter/extra/copying.html) It is ironic that a man who resorted to stealing the work of others for his books could have produced one of the best Chess books ever written. There are better moves, all being with the king rook. Stockfish shows 19 Rfd1 best)
28. Qe1? (Another weak, dilly-dally move from Caruana. 28 h4 is the best move, and one does not need a program to know this. Caruana’s limpid move hands the advantage to his opponent. According to digital speak, in lieu of being up by half a pawn, the move played puts Fabi DOWN by a quarter of a pawn.)
28…Nb7 29. Nh1 Nimzowitsch would be proud, but this is not one of his better choices. The Fish has 29 Kg2 or Qe2 as better. When in doubt, play Qe2!) 29…Nc5 30. Qe2 (Now this is the best move according to SF)
30…Rd4 (In this position black has a choice between four moves, 29…h6; Nb7; and a4, in addition to the move played, each keeping the game even, Steven.)
31. Be1 R8d6 (Expecting the obvious 31…Qd7, tripling on the d-file, I was shocked to see this move. The Fish proclaims Qd7 best. IM Boris Kogan was fond of saying “Chess is a simple game.” My reply was, “Maybe to you, Hulk…” It seems the modern day players intentionally eschew playing the “obviously best” moves for some reason I cannot fathom…How often does one get the opportunity to triple the heavy pieces in any game? Look at the position after moving the Queen to d7. Every piece sans the dark squared bishop is putting pressure on the backward white d-pawn. How long would you be able to withstand that kind of pressure?)
32. Nf2 Qd7 (Naka plays the move, but now SF does not consider it best. The clanking digital monster would now play the rook BACK to d8! Like Capablanca, the program has no problem admitting a move a mistake, and correcting said mistake.)
45. Rc1? (Yet another weak, vacillating move. White is lost. The move previously rejected by Fabiano, h4, is best) 45…Qc6 46. Re1 (Fabi returns the rook to its former square)
46…Rd8? (I will admit to having trouble finding a move in this position. I finally decided to move my king to g7. WRONG! I kept looking at taking the pawn on e4 with the queen, but it looks like the bishop will be lost. There is a reason Stockfish is the best Chess playing thing on the planet, and that reason is this variation: 46… Qxe4 47. Qxe4 Bxe4 48. Bxc7 Rd7 49. Rxe4 Nxb2 50. Nxe5 Rxc7 51. Nf3 Nd3+ 52. Ke2 Ne5 53. Nd2 b2 54. Nb1 Rd7 55. a4 Ra7 56. Kd2 Rxa4 57. Kc3 Rb4 58. Re2 Rxc4+ 59. Kxb2 Rb4+ 60. Kc2. Looks like a game produced by Mikhail Tal, does it not? Like me, the top players cannot calculate as well as the clanking digital monsters. It often seems that the top players no longer believe in their intuition, as did the players of the last, and previous, centuries. Because of the rise of the computer programs human players are trying to be calculating machines when what they should be doing is relying on their judgement, and intuition. I will admit going into the unknown can be a scary prospect, but the best human players have done it previously. Maybe the top players would be better off chunking the programs in the garbage and thinking for themselves…)
47. h4 (Finally, the move is played. Still, 47 Kg3 first was better…)
47…h6? (Naka has a chance to again play the winning move, but backs down, again, with this move, content to settle for a draw. SF shows, (47… Qxe4 48. Qxe4 Bxe4 49. Bxc7 Rd7 50. Rxe4 Nxb2 51. Nxe5 Nd1+ 52. Ke1 fxe5 53. Bxe5 gxh4 54. Re2 Rd3 55. Rh2 Nc3 56. Bxc3 Rxc3 57. Rb2 Kg7 58. g5 h3 59. Kd1 Rg3 60. a4 Rg1+ 61. Ke2)
Tal. Simply say “Tal” around any Chess player, or in any gathering of Chess players, and the response is magical. To those of us in the Chess community “Tal” is the definition of sui generis. “Tal played a kind of chess that nobody could understand at the time. Now that theory has taken a big step forward, and we have chess engines, we’re starting to realize that he was playing 21st-century chess.” – Grandmaster Alexei Shirov.
Tal’s childhood friend, and his second from 1968 through 1976, has done the Chess world a HUGE service by lovingly writing about the Magician from Riga. Alexi Shirov writes in the introduction, “It’s a pity that my idea to ask Kirillov to write a book with his memories came a little too late-when he was already in poor health. Yet he has still created a new portrait of Tal (and his Latvian contemporaries)-a portrait as WE knew him.”
The author writes, “After we got our hands on our first records, which were extraordinarily hard to find in those days, music became a permanent fixture at the Tal residence. I distinctly remember my first exposure to rock and roll. Bill Haley’s raging Rock Around the Clock, which we played until the vinyl wore out, absolutely knocked my socks off.”
The author turned to writing about Chess.
“In those days, articles and reports on chess in the press tended to be academic and rather dry, which didn’t appeal to the millions of club players out there. I wanted to make my pieces a bit more accessible and lively, and crack a few jokes along the way-my editors were always there to keep me in check, though. If one argues that chess isn’t merely a science, but an art and a sport as well, then what’s stopping journalists from drawing upon the models, analogies, and comparisons made in literature, music, sports, and the circus? Using the knowledge and skill set I possessed, I tried to give my tales a certain flair.”
With this book the author has accomplished his mission. He succeeds by writing about the game Tal vs Bronstein
from the 1970 USSR Championship in hockey terms! Simply amazing…The more I read the more I came to admire the author. For example, here is what he writes about a man who was a colonel in the KGB, director of the Central Chess Club in Moscow, and vice president of the USSR Chess Federation.
the big chess boss in the USSR, urged me to cut my long hippie hair-and asked Misha to make sure I did-before the awards ceremony of the USSR championship, because I was set to go on stage as the USSR champion’s coach. Naturally, I didn’t heed his advice, and the chess boss had to put my gold medal on over the disheveled locks flowing down to my shoulders.”
I am reminded of the time I lost a speed game horribly to Baturinsky at the FIDE congress in Atlanta in 1980. “You Americans cannot play Chess,” he said. I turned and walked away. “Set them up!” he shouted. I turned to look at him. He was LIVID! Granted, it was customary for the loser to replace the pieces, but the man had insulted me, and all American Chess players. I returned to the board and politely suggested he have sex with himself, at which point he lost it completely, and EXPLODED, as I turned and again walked away…
Team Tal: An Inside Story,
is replete with wonderful stories about Misha Tal, and his family, friends, and supporters; his team. Once begun, it could not put down. The book contains only two games so if you are looking for a book about the Chess played by Tal this is not it. If you want to read about the man who played that fantastical Chess, this book is for you! The book is filled with pictures of Tal and those who were involved in his life. In addition, there are many illustrations which are quite fascinating.
I recall Senior Master Brian McCarthy showing an old Informant that had seen so much action it no longer had a cover.
When someone questioned Brian about it he responded, “That don’t matter…It’s still got the MEAT!”
As Bob Dylan sang, “Don’t let other people get your kicks for you.” Judge the cover for yourself. I happen to like the cover and think it fits the “meat.”
The book also contains stories about fellow Latvian players such as Janis Klovans,
and Alvis Vitolins, and the man Tal dubbed, the Maestro, Alexander Koblencs. “Contemporary chess history knows numerous examples of successful creative partnerships, like Don Quixote and Sancho Panza. Spassky -Bondarevsky, Karpov-Furman, and Kasparov-Nikitin are perhaps the most famous ones. As for Tal and Koblencs, we have two Don Quixotes on our hands.”
“He (Tal) had his favorites, for whom he had the greatest warmth and the utmost respect. He adored Vladimir Simagin, a true knight on the chess battlefield. “That man was on a constant quest; he was the Don Quixote of chess,” Tal said.
“When he came onto the scene, classical chess, as dry as the desert, was king. Everyone was all prim and proper. It felt like the Party and the government had instructed people to play balanced, strategic chess, from the opening to the endgame. Then suddenly, a real troublemaker-but he wasn’t just a troublemaker, for he added a ton to the game!-shows up and starts muddying the waters and making waves. He was like a gushing spring!” Boris Spassky said.
High praise, indeed.
Mikhail Tal could be recalcitrant.
“The Soviet authorities would say that anybody who didn’t agree with the prevailing ideology was a “nonconformist.” It goes without saying that Tal’s playing style was nonconformist.”
‘Sic transit Gloria mundi!’ (thus passes the glory of the world) Misha once joked after he was removed from his position as chief editor at Shas for organizing a real blowout of an office party on International Women’s Day, flouting the government’s anti-alcohol laws yet again.”
Another time, somebody asked him, “are you a morphinist?” He answered, “you’ve got it all wrong, I’m a Chigorinist…but Morphy was great, too.”
I, too, am a Chigorinist, having fallen in awe the first time I played over his 1893 match with Sigbert Tarrash, which is my all time favorite Chess match.
“We went to the movies a few times, too. I remember the new James Bond, Goldfinger,
and an erotic movie (they were taboo in the USSR!) about a passionate love affair between a woman guard and a prisoner at a concentration camp. We showed up a tad late, and when the lights came on at the end, we discovered that nearly our whole delegation was sitting there in the half-empty theater.”
A case could be made that after Bobby Fischer
defeated World Chess Champion Boris Spassky
in 1972 the best player still playing when Bobby stopped playing was Mikhail Tal.
“Although no records in professional chess could prove it, experts, journalists, and regular fans would probably characterize Tal’s achievements from 1972 through 1974 as record-breaking. I’ll let you be the judge- Tal did not suffer a single defeat from July 1972 through April 1973; six months later, he kicked off an even more remarkable streak of 96 games without a single loss (October 1973-October 1974), winning or sharing first place at six international tournaments. He won 72 games, yet drew 110 during both streaks combined…”
Possibly the most poignant part of the book concerns what happened to Mikhail’s possessions. Much is written about attempts to have a museum dedicated to Mikhail Tal in his old apartment.
“As per the Tal family’s instructions, our cargo was handed over directly to Ratko Knezevic at the Hussar of Riga Club-which had just opened its doors on the sixth floor of the Minsk Hotel to celebrate what would have been Mikhail Tal’s 60th birthday. Botvinnik and Karpov’s stories about Misha, Smyslov’s singing (he gave me a CD with his renditions of Russian romances on it), and Ivanchuk, who won the blitz tournament, reciting his own poems into the night were the highlights of the opening ceremony for me. By the way, the blitz competition winners received bags of candy instead of prize money at the tourney! I don’t know how his memorabilia then wound up in Elista.”
What are Tal’s treasured possessions doing in Elista?
“When Kirsan Ilyumzhinov
came to Riga to discuss plans to construct a knight-shaped, high -rise hotel, he even promised to share Tal’s memorabilia, which is now stuck in Elista.”
“There will be a chess club, tournament hall, and museum in the hotel,” the FIDE president said. He painted a beautiful picture, but a few years have passed, and there aren’t any knights towering over the Daugava River.”
Kirsan, if you have not taken Tal’s possessions to Zeta Reticuli please return them to Riga and the Latvians, where they belong!!!