Yakov Vilner First Ukrainian Chess Champion and First USSR Chess Composition Champion: A Review

Having earlier reviewed Alekhine’s Odessa Secrets: Chess, War and Revolution (https://xpertchesslessons.wordpress.com/2018/02/24/alekhines-odessa-secrets-chess-war-and-revolution-a-review/) I was pleased when a new book, published by Elk and Ruby (http://www.elkandruby.com/) and by the same author, Sergei Tkachenko,

appeared in the mailbox. Yakov Vilner: First Ukrainian Chess Champion and First USSR Chess Composition Champion,

is the follow up to the aforementioned book.

Tkrachenko writes in the introduction to the latter book, “I found clear evidence that the versions that Alekhine was saved by important Soviet functionaries were incorrect. Historical facts and memoirs pointed to the undoubted fact that his salvation was down to the modest Jewish lad Yakov Vilner, who at the time the grandmaster was arrested was working as a clerk in the Odessa revolutionary tribunal.

Naturally, I wanted to find out more about this figure. However, it transpired that there was little ready information about Vilner. Even his date of birth was unknown. Well, I then spent eight years researching him until the curtain of mysteriousness finally fell! I now saw a vivid and gifted personality who had the “luck” to live in such turbulent times.

Moreover, I collected so much material that on the advice of historians among my friends I decided to split it into two books, with the material on Alexander Alekhine’s three trips to Odessa compiled as a separate book (subsequently published later in 2016 in Russian and in 2018 in English, as Alekhine’s Odessa Secrets: Chess, War and Revolution, which was short-listed for the 2018 English Chess Federation Book of the Year).

The book you are now reading was originally intended as a prelude to the book on Alekhine and is devoted to the first Ukrainian Chess Champion, first USSR Chess Composition Champion and first Odessa Master Yakov Semionovich Vilner, who in 1919 managed to save Alekhine from death and thereby cange the courst of chess history.”

Before reading the two books by Sergei Tkachenko what I knew about Ukraine could be summed up in the sentence, “Ukraine was the breadbasket of the USSR.” Because of the attempt of the Commander in Thief of the DisUnited States of America, Donald John (has any POTUS ever had a better fitting middle name?) Trumpster to gain another term as POTUS by strong arming the young President of Ukraine that country has been in the news often this year. In an attempt to learn more about Ukraine I recently watched two documentaries, Ukraine on Fire, and Revealing Ukraine. Oliver Stone

is the Executive Producer, which was all I needed to know to watch. My knowledge of Ukraine was increased exponentially by watching the films, which were viewed between reading the two aforementioned books.

From a historical perspective I enjoyed the book, yet wondered how many others would be interested in what was happening in Chess a century ago. The first book was about a former World Chess Champion with a backdrop of radical political change containing firing squads for those with a different political thought. Firing squads feature in the Vilner book but the drama is lacking. Yakov Vilner was obviously a fine Chess player, but unfortunately, his health was sometimes bad because he had asthma. Thus, his Chess results were rather erratic. The same can be said about the Chess games. For example, the second game, versus Boris Koyalovich, features 1 e4 e5 2 Nf3 Nc6 3 Bb5 f6? I kid you not. This is the kind of move Chess teachers of children often encounter. The author writes, “One of the weakest ways to defend the Spanish. Koyalovich clearly chooses it to avoid the well-known variations.” I’ll say! This game was played during the Tournament of Kislovodsk in 1917.

When healthy Yakov Vilner was the best player in Odessa, and Ukraine. He was good enough to finish in a three way tie for sixth place in the eighteen player 3rd tournament Championship of the USSR in 1924 played in Moscow in August/September.

Some of the games are interesting and the annotations are excellent. For example, consider this game from the 4th USSR Championship played in Leningrad 1925:

Yakov S Vilner

vs Boris Verlinsky

URS-ch04 Leningrad 1925

E00 Queen’s pawn game

1.d4 Nf6 2.c4 e6 3.Nc3 b6 4.e4 Bb4 5.Bd3 Bb7 6.Qc2 Bxc3+ 7.bxc3 d6 8.Ne2 c5 9.O-O Nbd7 10.Ng3 Qc7 11.f4 cxd4 12.cxd4 Rc8 13.e5 Nd5 14.Qb3 Ne7 15.Ba3 d5 16.Rac1 Qd8 17.f5 O-O 18.f6 gxf6 19.exf6 Ng6 20.Bxg6 hxg6 21.Be7 Qe8 22.Qe3 Kh7 23.Nf5 1-0

The author writes, “A game of fireworks! Interestingly, almost all of white’s moves were consistent with Rybka’s first line. In our days that might have led to allegations of cheating!” This is a sad indictment of modern Chess. Spurious allegations by Chess.com, for example, have forced former online players to go elsewhere. An example can be found at GM Kevin’s Spraggett’s wonderful blog with the post, Blogger’s Reputation Intentionally Smeared? (https://www.spraggettonchess.com/chesscom-caught-cheating/) Reading the article caused me to do some checking around and one of the things learned was that one local youngster was given the boot from chess.com for allegedly “boosting.” The youngster was accused of creating false accounts to play in order to beat them and “boost” his rating. The youngster did no such thing, yet had no recourse other than to leave chess.com and play at one of the other, more reputable, websites. How many players have been falsely accused by chess.com ?

Another game from the same tournament attests to the strength of Vilner.

Efim Bogoljubow

vs Yakov S Vilner

URS-ch04 Leningrad 1925

D49 Queen’s Gambit Declined semi-Slav, Meran, Sozin variation

1.d4 d5 2.Nf3 Nf6 3.c4 c6 4.e3 e6 5.Nc3 Nbd7 6.Bd3 dxc4 7.Bxc4 b5 8.Bd3 a6 9.e4 c5 10.e5 cxd4 11.Nxb5 Nxe5 12.Nxe5 axb5 13.O-O Qd5 14.Qf3 Ba6 15.Bg5 Be7 16.Rfc1 O-O 17.Qh3 h6 18.Bf4 Bb7 19.Re1 Bb4 20.Re2 Rxa2 21.Rf1 Rfa8 22.f3 Bf8 23.Ng4 Nxg4 24.Qxg4 Qb3 25.Bb1 Rxb2 26.Ree1 d3 27.Rc1 Ra1 28.Bc2 Rxc1 0-1

The annotations to both games were provided by Yakov Vilner. The author writes, “Naturally, I wanted to find out more about this figure. However, it transpired that there was little ready information about Vilner. Even his date of birth was unknown. Well, I then spent eight years researching him until the curtain of mysteriousness finally fell! I now saw a vivid and gifted personality who had the “luck” to live in such turbulent times.”

Vilner was very ill for a time and the title of one chapter is, How To Combine Treatment With Playing. Then came the Odessa Championship tournament of 1927.

“At first, everything went to plan. On 12 April the 12 best players of Odessa began their battle for the city championship. After round 4 Vilner headed the field with a perfect score. But then his illness returned. The tournament committee managed to postpone several of Vilner’s games so that he could complete the tournament. His short rest brought dividends. After round 8 Yakov Semionovich was still a point ahead of Sergei Ballodit and 1.5 ahead of Dmitry Russo. Vilner then had to play each of them in the final rounds. Such intrigue would have been hard to make up! A reporter hiding behind the initials AMO shared his observations in the newspaper Odessa Izvestia. The column was entitled Before the end and stated:

“Final games. Vilner-Ballodit. Two stubborn “wolf-dogs”. They will battle to the end, to the final pawn. They both possess deep theoretical preparation and have mastered the complex meandering of combinational play. Who will come out on top? So they begin. We see agile bishops slipping out. Knights crawling over the heads of pawns. Carefully feeling out the paths, the queen emerges.
A schematic position has already appeared. Vilner “presses”. With an apparently strong front, Vilner strides towards a difficult but possible victory. Vilner analyzes dozens of variations. He thinks ahrd. But the clock isn’t sleeping. Maestro, time is running out. The maestro makes his move. Then another and another. Time is running out. He needs to catch up.
Well, his opponent is “time-rich”, and coldly calculating. time-trouble disrupts the accuracy of the plan. “Enemy” pieces ahve already broken through. One blunder and it’s death. A crush is close… The game cannot be saved. Destruction…”

This reminded me of the battles between IM Boris Kogan and LM Klaus Pohl, the German Shepard, ‘back in the day’. Boris usually took the measure of Klaus, but occasionally the Krazy Kraut would do the measuring. Ballodit played second fiddle to Vilner, but took over first position in this particular tournament.

Also found is this:

“In order to popularize chess, two rounds were played at factories in the city: at the jute factory and the leather goods factory. “Chess to the masses”, as the slogan went! But of course sharp games are the best adverts for chess.” (The USSR was as full of slogans as it was full of excrement)

Vilner finished near the bottom of the Fifth championship of the USSR in 1927, but did inflict a defeat upon future World champion Botvinnik in the tournament.

Yakov S Vilner vs Mikhail Botvinnik

URS-ch05
Moscow 1927
A45 Queen’s pawn game

1.d4 Nf6 2.Nc3 d5 3.Qd3 g6 4.h3 Nc6 5.Bf4 Bf5 6.Qd2 Bg7 7.e3 O-O 8.g4 Bc8 9.Bg2 Re8 10.Nf3 Ne4 11.Nxe4 dxe4 12.Ne5 Be6 13.Nxc6 bxc6 14.Bxe4 Bd5 15.Qd3 e5 16.dxe5 Bxe5 17.Bxd5 cxd5 18.Bxe5 Rxe5 19.O-O-O c6 20.h4 Qd7 21.Qc3 Rae8 22.Rd4 Qd6 23.h5 c5 24.Rdd1 Re4 25.hxg6 Qxg6 26.Rxd5 Rxg4 27.Qxc5 Rg2 28.Rd2 Qg4 29.Rhd1 h5 30.Rd8 Rxd8 31.Rxd8+ Kh7 32.Rd4 Rg1+ 33.Kd2 Rd1+ 34.Kc3 Rxd4 35.Qxd4 Qg5 36.Qd7 h4 37.Kd2 Kg6 38.Qh3 Qd5+ 39.Ke2 Qe4 40.Kf1 Kh6 41.f3 Qxe3 42.Qxh4+ 1-0

We humans like to speculate about “what if?” As in, “What if Klaus Junge

had not died in World War Two?” (http://tartajubow.blogspot.com/2011/01/klaus-junge.html) How many players have died needlessly on a battlefield somewhere in yet another war without end? Hopefully, one day peace will break out… Reading this book brought another to light.

Alexander Moiseevich Evenson (1892-1919)

“He became recognized as a top chess player in 1913 after winning the All-Russian amateurs tournament with a score of 6.5 out of 7! He edited the chess column of the newspaper Kievan Thought (Kievskaya Mysl) (1914). Graduated from the Law Faculty of the Stl Vladimir Kiev University. Fought in WWI. Served in the cavalry and was injured. A Knight of the Order of St. George. Died in the Civil War. According to one version, he served in Kiev as an investigator of the military-revolutionary tribunal and was shot by a Denikin forces’ firing squad after the latter captured the city. Another version has that Evenson actually signed up as a volunteer for Denikin’s white army and was killed in unclear circumstances. Alekhine and Capablanca considered Evenson to be one of the most talented chess players of his time.

The 6th Championship of the USSR was held in Odessa from September, 2-20, 1929. Because of the large number of participants it came to be thought of as “Odessa roulette”. There were so many players because the Communists in charge wanted to welcome “the masses.”

“A record number of players took part – 36! Of these, 14 were masters and 22 were first category players. How were such a large number of players to be paired off? Oddly enough, the tournament had no clear regulations. It was all decided on an ad hoc basis. At the opening, the organizing committee proposed two options for holding the tournament to the players: either six groups each with six players and one game per day, or four groups each with nine players and three games every two days. The majority voted for the second option, which was later subject to harsh criticism… by the very same players. That’s democracy for you!”

The infamous communist apparatchik, Nikolai Krylenko,

who in the 1930s headed the Soviet chess and checkers associations. (https://www.chess.com/blog/Spektrowski/nikolai-krylenko-the-main-goals-of-the-chess-checkers-movement-1931) (https://spartacus-educational.com/RUSkrylenko.htm), wrote in Chess List:

“The outcome of the USSR championship has given rise to a number of critical articles in our periodical publications, most of which lack sufficient objectivity.”

Objectivity being whatever Lenin or Stalin said…

“Many secrets of the championship remained backstage. The biggest one was Izmailov’s withdrawal from the final. The master’s son recalled:

This championship could well have become Izmailov’s hour in the sun. He was only 23,
he was gaining ground and his game was blossoming, but alas, my father didn’t play in the final. Why? I attempted to establish this but failed to do so. In Chess List Duz-Khotimirsky wrote about “the need to take university exams”. Kan in 64 writes that Izmailov withdrew from the tournament at his own volition. Pravada and Izvestiia referred to illness, while Komsomolskaya Pravda cited exhaustion. Half a century later, recalling this episode, my mother told me that in the mid 1930’s she and my father held a conversation on this subject (they didn’t yet know each other in 1929), and he confirmed that he was healthy and ready to continue the battle, but he was forced to leave…

So who forced Izmailov to leave Odessa? Whom was this talented chess player impeding? Is fecit cui prodest (“it was done by the person for whom it was advantageous”). Seven years after the Odessa tournament ended, Piotr Izmailov was arrested by the NKVD and accused of “Trotskyist-Fascist activity”. He was eventually sentenced to the firing squad on 21 April 1937 and executed the next day.”

As for the protagonist, “At the end of October 1930, Vilner moved to live in Leningrad. Is it not surprising that a person suffering from serious asthma suddenly abandons the warm Odessa climate with its curative sea air in favor of the rainy climate of Northern Palmyra? I consulted with doctors specializing in heart and respiratory illnesses what such a change of environment could bring. They told me that it would mean serious stress on the body and was quite a suicidal step! So why did Vilner, despite his illness, prefer Leningrad? Had he planned this change of residence in advance?”

“At the end of the 1920s the political climate in Odessa worsened, as it did throughout the country. The ideological war against Trotsky and his supporters

(https://www.newyorker.com/sections/news/putins-russia-wrestles-with-the-meaning-of-trotsky-and-revolution)

reached an apex by the beginning of 1929. At the end of January, the former Minister for War and Naval Matters was secretly transported along with his family from exile in Almaty to Odessa. It was here that the ferry with the symbolic name Illych awaited him. On the night before 11 February the ferry set course for Constantinople accompanied by an icebreaker and government officials, and the next day Trotsky reached Turkey. With Trotsky’s expulsion, the USSR intensified its purges of his supporters and mentors. Christian Rakovsky, the protector of Alexander Alekhine and one of the leaders of Soviet power in Ukraine, was cruelly punished. He had been expelled from the party back in 1927 and then sent to internal exile in Barnaul in 1929. His party membership card was returned to him in 1935 and he was even entrusted to head the All-Union Red Cross society, but not for long. He was arrested in 1937, sentenced to 20 years in jail, and then shot at the start of the war. Vilner also suffered during the battle against Trotskyism.”

It seems Vilner chose the wrong side…

“Vilner didn’t quite live to the age of Christ – he was granted less than 32 years on this earth. Yakov Rokhlin published an obituary on the Odessite in the June edition of Chess List (1931): “Soviet chess players have endured a heavy loss. Master Yakov Semionovich Vilner died on 29 June at &pm in Leningrad after a lengthy illness…”

The book is replete with many interesting Chess games and annotations. In addition, it contains ninety five problems and studies, and if you are into that kind of thing this book is simply de rigeur.

After an email discussion with Dirk Jan ten Geuzendam,

editor of New In Chess magazine, I have decided to forgo the usual star system and grade the way teachers still grade papers, even if they are written in digits now, with A+ being the top of the line and “F” as in “failure” as the bottom. This book deserves the grade “A”.

Cyrus Lakdawala Interviewed at Georgia Chess News

An Interview with IM Cyrus Lakdawala

by Davide Nastasio was published March 1, 2019 at the GA CHESS NEWS website. http://georgiachessnews.com/2019/03/01/an-interview-with-im-cyrus-lakdawala/

The interview is excellent and was enjoyed immensely. Although aware of IM Lakdawala from his playing days, and knowing he was a prolific author considered controversial by some, I knew very little about him. The lack of knowledge was remedied by the interview found him to be a very interesting person with whom I would like to spend time.

The knock on Cyrus is the number of Chess books he has written. I visited the Gorilla and stopped after counting on my fingers and toes twice. I must admit to not having read any of the books. I do not even recall seeing one of his books in a bookstore. Yet his book published last summer, How Ulf Beats Black: Ulf Andersson’s Bulletproof Strategic Repertoire for White,

looks interesting, especially since I previously read, Grandmaster Chess Strategy: What Amateurs Can Learn from Ulf Andersson’s Positional Masterpieces, by Jurgen Kaufeld and Guido Kern, published at the beginning of this decade and consider it to be a masterpiece.

The interview begins, “Life is full of surprises. Thanks to the unexpected alignment of Uranus, Saturn, and Jupiter, I had the chance to interview Cyrus Lakdawala, likely the biggest writer in chess history. Some love him, and some definitely hate his writing style. Whatever your inclination is, don’t miss this interview, because in it we discover more about a great professional player who has worked in chess for decades, and who has dedicated his life to something he truly loves.
Generally when I don’t know what to give as a gift for Christmas, I give Lakdawala’s books. I remember once I found an incredible offer of Korchnoi’s Move by Move for something like $6, and bought some for Christmas.” One of the friends I gave the book to never played chess again, so I guess Lakdawala was pure enlightenment! I loved interviewing Lakdawala for the following reasons: he is really articulate, he shows a human side of chess in which we can all find ourselves, but most of all I felt the similarities with his writings and my own.

As always in my articles I will pause the interview from time to time to show some excerpts from the great books written by Lakdawala, Some of the games I found in his books are quite important for our development as chess players.”

Davide Nastasio: Could you tell for our readers how the chess journey began for you?

Cyrus Lakdawala: My father taught me how to play at age eight, and I have never forgiven him for it! I got immediately addicted, even though I didn’t display an iota of talent for the game.

DN: Who coached you when you were young?

CL: At first I only played my father (who was an A-player) and kids at school, but never had a formal coach. I was essentially self-taught from books — and I wasn’t a very good teacher, since my study was all over the place. Also, I was completely dishonest with myself, since at age eight, I strove to be the new Tal, which was a wee bit off the mark, since on the chess board I was the biggest dove of all time. When I was a kid, during summer vacation I desperately sought out strong competition and would walk miles to the shopping center bus stop, take a 45-minute bus trip to downtown Montreal, then take a 20-minute metro ride to the En Passant Chess Cafe. There I could play blitz with strong masters, like FM George Levtchouk (maybe I’m misspelling his name, if so, sorry George!) and GM Kevin Spraggett, and many others. I would play endless blitz games for stakes of 25 to 50 cents per game, which for a 13-year-old in 1973, was a fortune, since I only made $5 per week from my paper route. I was completely lopsided in playing strength with fast and slow time controls. I could hang with masters and even some titled players in blitz, yet in tournament play, I was still rated 1795 in over-the-board play when I was 17 years old, so it would be slightly dishonest to describe myself as a budding prodigy!

DN: Which books influenced you most in your formative years? (An excellent question for a prolific Chess writer)

CL: Five chess books deeply influenced me:
1. I don’t remember its name or its author, but it was a book on Capablanca’s games. Going through them, I craved to replicate Capa’s Mozartian perfection in my own games and always fell short.
Let me pause the interview here to point out that Lakdawala wrote a book on Capablanca!

And this is a game from that book which shows Lakdawala’s great teaching skills! (The game between Capa and A. Conde from Hastings 1919 follows)

And now back to the interview!

2. I read a book on Nimzowitsch’s games (I don’t remember the name or author of this one either and I’m wondering if I should up my daily dose of Ginko Biloba) and desperately tried to imitate Nimzo’s play, usually with disastrous results, since I would cleverly transfer my queen to a1 and then get mated on the other side of the board, or with great erudition I would overprotect my e5-pawn (just as Nimzowitsch taught) and then overlook my opponent’s response …Bxa1, chopping my now hanging queen.
3. I devoured Fischer’s 60 Memorable Games, and swore to be his next incarnation and play just like him. As you may have guessed, this vow didn’t come to fruition.
I need to pause the interview once again to show another book by Lakdawala on Fischer.

My idea to show entire games commented by Lakdawala has purpose to show the great deal we can learn from his format, thanks to his questions at the right moments.
4. In the summer of 1977, I read my buddy IM Tony Saidy’s

masterpiece: Battle of Chess Ideas

and was so inspired that I made the slightly questionable decision of striving to become a professional chess player, despite the fact that I was 17 years old and rated 1795. I have since demanded an apology from Tony for tricking me with his book.
5. In 1994, I was mired at a USCF rating of 2500 for several years and it felt as if I had reached my peek rating. Then to my great good fortune, I bought a copy of my buddy Jeremy Silman’s

Reassess Your Chess

as a teaching tool for my students, since I considered it a beginner’s book. To my great astonishment, the book shifted something which was previously jammed in my thinking process and my rating rocketed to nearly 2600 within the space of a very short time, which I completely attribute to Jeremy’s indispensable book. The reason Reassess Your Chess is the best-selling chess book of all time is that it may be the greatest chess book of all time. There is some hidden secret within it. Exactly what the essence of that secret is I can’t fathom, but it is there.
Again, I pause the interview to interject my own comments: I bought a 3rd edition of Silman, because I thought it was a classic. And I also bought the last edition, now I just need to find the time to read them!

DN: Now I’d like to ask you some questions about your books, because I know you are a prolific author. How did you select material for your own books?

CL: Sometimes I propose an idea and sometimes the publisher suggests one. I’m at the point right now where there is no time when I’m not simultaneously working on at least two books. For me, the books are all consuming and I think about them day and night. Since I began writing chess books, I filled up 77 yellow notepads with notes for my books. If I average about 650 notes per pad, that is a lot of notes. I can’t give you the exact number, because I already mentioned that I’m not very competent in math and am only able to count to 20.

DN: What is your philosophy for teaching?

CL: My philosophy for teaching is to never BS the student (or parent) and always ruthlessly tell them the truth — even when it hurts — which I do, since I’m not afraid of losing students by offending their parents. It is the nature of humans to crave praise, but false praise (which I see some teachers engage in) is harmful to the student. It’s a ruthless world out there and the student shouldn’t be congratulated if they didn’t prepare, lost 50 rating points in the tournament, ignored your opening advice and placed 40th in their section, yet some of the parents clap their hands in delight and tell the kid, “Great job! High five!” Instead, the student must be toughened with the truth. If the student is weak in a portion of the game or with a psychological aspect, I insist that they strive to fix the problem. The other issue is unrealistic expectations from parents. Their kid is lazy, 14 years old and rated 1400, yet they believe he or she is a prodigy and expect me to have the student break the 2200 barrier by the end of the year, achieve the IM title the following year and GM the year after that. I tell them this is impossible, yet love is blind and many parents believe their kid is the next Caruana or Carlsen.
Speaking of Carlsen, Lakdawala also wrote one Move by Move book on the World Champion.

DN: Do you have any advice for senior players?

CL: If we are the exquisitely carved porcelain doll, then old age is the hard stone floor when we are dropped, destined to smash into a thousand tiny shards. It’s difficult not to regard old age as a personal rebuke, since it is also a thief who slowly and brazenly embezzles our abilities over time. Survival in an unforgiving environment means having to make ruthless choices, so adjust your style to reduce calculation and complications, which exhaust us old guys. If you are an older player now way past your prime, you are most certainly better than your younger counterparts when it comes to decision-making and technical positions. So strive for these, rather than math-based situations. Our brains just don’t work as well as they did in our prime, so think about switching to the Caro-Kann and put your Dragons on the shelf. Factor in that your synapses don’t fire in the brain as fast as they used to and stop being the antlered buck who wants to smash heads, vying for dominance in the herd. Be sneaky, rather than forceful. So steer the game to logic-based positions, rather than irrational ones. Look, it isn’t all doom and gloom for us old guys and gals.

Davide then writes, “I’d like to pause the interview here to show Lakdawala can help also in the field of openings. He just mentioned the Caro-Kann for senior players, and he wrote a book on the Move by Move series.”

The game between A. Matanovic and T. Petrosian, Kiev, 1959 from the Caro-Kann book follows. Then the interview resumes:

With age comes the following:
1. Our experience translates to instant understanding in some positions, which youth and inexperience sorely lack.
2. With a slowing of our brain speed comes an increase of deceit, from decades of having been tricked ourselves. Young, inexperienced players can sometimes be easily tricked into positions which require experience and understanding, rather than calculation. I wrote in Play the London System,

“Old age and deceit overcome youth and talent,” and I meant it! So there are actual advantages to being old, and as the spokesperson for Farmer’s Insurance loves to repeat, “We know a thing or two, because we’ve seen a thing or two.”

A writer cannot please everyone and must have thick skin to put his thoughts on paper, or digits on a screen. This is an example found on the internet:

maxharmonist

3 years ago

Cyrus Lakdawala is insufferable, his books being filled with endless and pointless meanderings of this sort (from the Kramnik book):

“The meek bishop backs off, does what he is told to do and goes where he is told to go. A beaten dog may still follow the cruel master’s command. In college, my first job was as an inept hotel clerk. When encountering daily traffic of unruly, spoiled hotel guests, my mouth would obediently respond, ‘Thank you, Sir, for your constructive criticism! Of course, Ma’am! Right away, Ma’am!’ As a pressure valve, my chafing mind, suffering from some strange, inward form of Tourette’s Syndrome, would add in the dark, silent realm of thought: ‘Bugger off (anatomically explicit expletives deleted)!'”

I am one of the readers who actually like “endless and pointless meanderings of this sort,” as they tell one much about the human being who has pointlessly meandered off endlessly. Some of my favorite books about Baseball have used a meandering regular season game as a backdrop for the author’s “meanderings,” which, when one cogitates a little, were the real reason for the book.

Because of reading this fabulous interview on the website of my state Chess magazine I intend on making it a point to read several of the author’s books, including this one since I have long been a Birdman:

It is obvious Lakdawala’s books have held their value. An example would be this book:

It is out of print and will set you back at least $83.44 on Amazon with some books priced over two hundred dollars. Obviously some readers like Cyrus Lakdawala’s books.

Death On The Chess Board

It filled me with sadness when first reading the report of the death at the board of fellow Senior Kurt Meier during his last round game at the 2014 Olympiad. Reports have been slow in coming even in this age of instant access. I was mortified this morning to read about the death of another player after the conclusion of the tournament. Reports are that he was found dead in his hotel room.

I have spent the morning reading all the reports that could be found. I have a personal interest in this not only because I am a Senior, but because I collapsed at the board during a chess tournament, with paramedics having to be called. This was at the 32nd Continental Open in Sturbridge, Massachusetts in 2002. Upon regaining consciousness I saw FM Miles Ardaman hovering over me. Knowing Miles to be a psychiatrist, I feared the worst. I refused to be transported to a hospital, but did see a doctor a few days later. After checking me out and talking with me about what may have possibly caused the collapse, he surmised I had become dehydrated. I traveled to the Continental directly from the US Open in New Jersey where after playing in the normal schedule, with games each evening. The first two games at the C.O. were also at night, but the third, and my last, was a morning round. I had coffee, but hardly any water because I feared spending too much time going to the restroom. It was a mistake I have not repeated. For quite some time I had been sitting with a full bladder trying to make time control. When I stood up quickly and took a few steps, my heart could not make the adjustment, which happens as one ages. I also learned of a heart murmur. Often I wonder why I am still alive…

Most Seniors have some kind of health problem, and I am not an exception, as there is a problem with my heart. My father lived many years with a machine in his body, a pacemaker. I have chosen to not be a member of the Borg, part man and machine. During the two decade run of the Atlanta Chess and What Other Game Center more than one player had to be taken away in an ambulance, none of whom were young.

With this in mind I have written extensively on my blogs, the BaconLOG and now the Armchair Warrior, concerning the dangers faced by Senior chess players. I have also spoken out about the problems faced by Senior players. Unfortunately, my words have fallen on dear ears.

I have written about several measures that could be instituted in order to lessen the chances of a death at the board during a Senior tournament. One of the major problems has been that organizers schedule a Senior chess tournament as if it were a tournament for younger players. Most weekend tournaments have five rounds with the first beginning Friday night. Since the last round is over sometime Sunday evening, that means five games of chess are played in about forty eight hours. That is a lot of chess for even younger players. It is simply too much for a Senior. Even when I was in my twenties a five round tournament would leave me what the Legendary Georgia Ironman calls a, “wiped out Waldo.” I began taking a half-point bye in the third round Saturday night in order to continue playing. I will no longer play a serious, long game at night.

For a Senior tournament I have suggested having no more than four rounds, with two each day. I have also suggested a break of at least two hours between the games. Bob Mahan, the man behind the Chess For Seniors Association (http://www.chessforseniors.org/index.php) had the audacity to tell me that would mean a delay in the time the organizers and TD’s would get home from an event, which shows the thinking by even some Seniors when it comes to the safety of the players.

There are many stories in the press concerning the deaths at the Olympiad, including one on Chessbase, where one finds this:
“There was momentary chaos in the hall when Meier collapsed, which was explained by Morgan Lillegård, head of communication for the Chess Olympics, in The Local: “People in the hall thought the defibrillator was a weapon. Panic spread because the thought there was an armed person. I can definitely confirm there was no weapons. This is a misunderstanding. It is in itself dramatic enough that someone had a heart attack.”

The Guardian comments that Meier is not the first player to die in the middle of a match: in 2000 Vladimir Bagirov, a Latvian grandmaster, had a fatal heart attack during a tournament in Finland, while in the same year another Latvian, Aivars Gipslis, suffered a stroke while playing in Berlin, from which he later died. To this we add that Johann Zukertort died from a cerebral hemorrhage suffered during a game in Simpson’s Divan, in a tournament which he was leading at the time. José Raúl Capablanca died of a stroke in March 1942 while watching a skittles game at the Manhattan Chess Club.

Other players who died during a chess tournament or game: Gideon Stahlberg (1908-1967), Vladimir Simagin 1919-1968), Cecil Purdy (1906-1979), Ed Edmundson (1920-1982). The following players died very shortly after a game or event: Frank Marshall (1877-1944), Efim Bogoljubov (1889-1952), Herman Steiner (1905-1955), Paul Keres (1916-1975), Alexei Suetin (1926-2001).”
http://en.chessbase.com/post/deaths-at-the-chess-olympiad

The most interesting is, “Why chess is really an extreme sport,” by Stephen Moss, online at theguardian.com. The tag line reads, “The deaths of two players at the Chess Olympiad in Norway shows that it’s time tournaments came with a health warning.” In the article he writes, ” Chess, though the non-player might not believe this, is in many ways an extreme sport.”

“At the Olympiad, participants were playing a game a day over a fortnight – 11 rounds with just a couple of rest days on which to recuperate. For up to seven hours a day, they would be sitting at the board trying to kill – metaphorically speaking – their opponent, because this is the ultimate game of kill or be killed. In some positions, you can reach a point where both sides are simultaneously within a single move of checkmating the other. One false step and you will have lost. This imposes enormous pressure on players.”

Stephen is a player, as can be learned from this, ” I spend a day at work, rush home, bolt down a meal, then go to my chess club and play a three-hour game which often makes me feel ill, especially if I lose. After that, usually around 10.30pm, I go home, go to bed, and frequently fail to sleep as my moves and mistakes revolve around my head.”

The author concludes with this paragraph, “So next time someone suggests a nice, quiet game of chess, or paints it as an intellectual pursuit played by wimps, tell them they’ve got it all wrong: this is a fight to the finish played in the tensest of circumstances by two players who are physically and mentally living on the edge. We all need to get fitter to play this demanding game, and society should recognise it for what it is – a sport as challenging, dramatic and exciting as any other. Such recognition would be a tribute of sorts to the two players who sadly played their final games in Tromso.”
http://www.theguardian.com/commentisfree/2014/aug/16/chess-extreme-sport

It is a shame this may be what it takes for those in power to take notice and institute changes, especially in the way Senior chess tournaments are implemented.

American Variation Transpositions

While researching the American variation the name of a player from Atlanta jumped out at me from the CBDB. Sanjay Ghatti played an accepted variation against the Scandinavian defense, a favorite of one of the top players, and former Georgia Champion, Damir Studen. The game was played a couple of years ago and Sanjay is a far stronger player today because of losses like this game, for as former World Champion Jose Raul Capablanca said, “You may learn much more from a game you lose than from a game you win. You will have to lose hundreds of games before becoming a good player.” (http://www.chessquotes.com/player-capablanca/)

Sanjay Ghatti vs Manuel Nieto (1892)
Philadelphia Int 2012
1. e4 d5 2. exd5 Qxd5 3. Nc3 Qd6 4. d4 Nf6 5. Be2 c6 6. Nf3 Bf5 7. O-O e6 8. Re1 Qc7 9. Be3 Bd6 10. h3 O-O 11. Qd2 Nbd7 12. Rad1 Nb6 13. Nh4 Bg6 14. Nxg6 hxg6 15. Bg5 Nbd5 16. Nxd5 cxd5 17. Bxf6 gxf6 18. c3 Kg7 19. Bd3 a6 20. Re2 f5 21. Rde1 Rh8 22. Qg5 Bf4 0-1

The position after8…Qc7 can be obtained after the move order 1 e4 d5 2 ed5 Qd5 3 Nc3 Qe5+ 4 Be2 c6 5 d4 Qc7 6 Nf3 Bf5 7 0-0 e6 8 Re1 Nf6.

Here is another game that reaches the same position by a different move order:

Christian Grosse (1885) vs Christoph Natsidis (2284)
15th Leipzig VfB Open 2008
1. e4 d5 2. exd5 Qxd5 3. Nc3 Qa5 4. d4 Nf6 5. Be2 c6 6. Nf3 Bf5 7. O-O e6 8. Re1 Qc7 9. Nh4 Bg6 10. d5 cxd5 11. Nxd5 Nxd5 12. Qxd5 Be7 13. Bb5+ Nc6 14. Qc4 Bxh4 15. Qxh4 O-O 16. Bf4 Qb6 17. a4 a6 18. Be3 Qc7 19. Bxc6 Qxc6 20. c3 Rad8 21. Rad1 Rd5 22. Rd4 e5 23. Rd2 Bd3 24. f3 f5 25. Qb4 e4 26. fxe4 fxe4 27. Bd4 Rg5 28. Qe7 Rg6 29. a5 h6 30. b4 Rg5 31. Rb2 Rf7 32. Qd8+ Kh7 33. Rd2 Rgf5 34. h3 Qg6 35. Qb8 Qg5 36. Rb2 Rf1+ 37. Rxf1 Rxf1+ 38. Kh2 e3 39. Qe8 Qf4+ 40. g3 Rf2+ 41. Rxf2 Qxf2+ 42. Kh1 Qf3+ 43. Kh2 Be4 0-1