publisher of Elk and Ruby Publishing House sent an email after the last post in which he wrote, “Worse things are happening in Norway…” He provided a link to the Twitter account of Chess journalist Tarjei J. Svensen,
who writes (or is that ‘twits’?):
BREAKING; Norwegian Chess Federation offered a sponsorship deal of NOK 50 million (€5,1M) by online gambling operator Kindred Group, pending approval by the congress in July.
9:52 AM – 7 Jun 2019
Tarjei J. Svensen
Not a traditional sponsorship deal. The chess federation will not promote gambling or advertise for gambing sites in any way, but will work with the group to allow licenses in Norway.
Tarjei J. Svensen
For the record, revenues in the federation in 2018 was NOK 2,5M, (€2,55M)
Elk and Ruby
Replying to @TarjeiJS
This is fundamentally wrong. Let’s not turn our kids into gambling junkies.
This is followed by:
Replying to @TarjeiJS
The Isle of Man Chess tournament was sponsored by Pokerstars and is now funded by ex owner. But when Pokerstars sponsored this they were justva poker sight and did not have the other gambling income streams.
Replying to @TarjeiJS
Each and everyone reading this, and everyone who will not read this, gambles each and every day, and they gamble with their life. Most people usually do not consider the odds when making a short trip to the store, but the fact is that it is not 100% positive a person will return home safely. Read the book:
Everyone gambles in some form or another. Consider this headline:
The Gambling Nuns of Torrance, California
Thou shalt not steal…unless you’re one of the Vegas-loving nuns who allegedly took the Catholic school under their watch for every penny they could. A Southern California community reckons with an altogether new form of churchly hypocrisy.
I have a vague memory of someone, possibly David Spinks, saying something about what counted was not how many times an actor won the award, but how many times he or she were nominated. I feel the same about books.
This brought to mind an email received concerning the book from former California Chess Champion Dennis Fritzinger:
Feb 24 at 3:28 PM
You definitely read widely! I would never have heard of this book I’m sure but for your review. Somehow I thought my eyes were going to glaze over reading about such past happenings but they didn’t. I was swept along to the very end. The book reminded me of a certain author, Ian Fleming. It certainly gives him a run for his money!
Book of the Year 2018 shortlist
Posted By: WebAdmin 28th August 2018
The large number of varied and interesting books this year made the selection particularly difficult, but the choice came down to books by two new chess publishers and two excellent instruction manuals (beautifully printed by Quality Chess) which the judges had great difficulty in separating, so included both!
Alekhine’s Odessa Secrets: Chess, War and Revolution
Sergei Tkachenko, Elk and Ruby Publishing House, paperback, pp213, £19.99
The cover alone indicates this is not a conventional chess book. It vividly covers the chess community in Odessa, how it and they coped with the rapidly changing governments 1916 to1919. Alekhine was a frequent visitor to Odessa. When the Bolsheviks captured the town in 1919, they shot an estimated 1,200 “traitors”. Alekhine was arrested, imprisoned and was on the list to be executed. Why he was released remains a mystery. Amongst the narrative drama are the chess games he played in Odessa which show his outstanding chess imagination.
Carlsen vs Kajarkin World Chess Championship 2016
Lev Alburt and Jon Crumiller, Chess Information and Research Centre, paperback, pp336, £22.50
World championship matches are the summit of the chess world. Whilst there is extensive short-term media coverage during the match, there are surprisingly few books published after the event giving a considered view. This book is one, with the usual photos, atmospheric background and computer analysis all well done. What lifts the book to an exceptional level is ‘Vlad’s Viewpoint’ which occurs throughout the book. The former world champion Vladimir Kramnik is able, from his unique experience, to give a wider and deeper insight into the play and players. Essential reading for Caruana!
Small Steps to Giant Improvement
Sam Shankland, Quality Chess, hardback, pp 331, £23.99
Shankland had a setback in his chess playing activities so had some free time. He decided to study and write about pawn play which he identified as one of his weaknesses. Written in a refreshing and open style he gives pointed examples of various issues eg advanced pawns can be strong, but they can also be weak. There is much to learn in this book as Shankland himself showed: he won his next three tournaments including the USA championship and raised his grading over 2700!
Under the Surface
Jan Markos, Quality Chess, hardback, pp276, £23.99
Markos has not written a standard text book, rather an exploration of the other factors that affect chess play. A sample of the chapter headings give an impression of his unusual approach – ‘Anatoly’s billiard balls’, ‘What Rybka couldn’t tell’, ‘Understanding the Beast’ and so on. Markos writes in an original way bringing in applicable concepts from the none chess world. There are four fascinating chapters on computer chess. All in all players of every level will find something original or instructive in this book.
— Ray Edwards, Julian Farrand, Sean Marsh – 20th August 2018
In a short time the publishing company of Elk and Ruby (http://www.elkandruby.ru/) has made a very good impression, bursting onto the Chess publishing landscape like a burning fireball comet. The two newest books have added much fuel to the fireball.
Sergei Tkachenko has produced another wonderful little tome devoted to Chess compositions, Nikolai Rezvov, from Child Burglar to Grandmaster: A World Champion’s Favorite Composers. The book contains one hundred fantastic compositions and the story of the composer, Nikolai Rezvov. The first couple of dozen pages comprising the introduction begins, “The community of chess composers is rich in personalities. Nikolai Vasilevich Rezvov, Ukrainian chess composition grandmaster and FIDE chess composition international master, lead a most remarkable life!
At the end of 1921 Odessa Izvestia warned: “Hunger is at Odessa’s door. Until now we have been talking about an impending catastrophe. Now it is here, facing us. All the signs for this are visible. Cases of scurvy and even death from starvation are becoming frequent.”
Nikolai’s family suffered more bad news in addition to this social disaster; his father deserted them soon after Nikolai’s birth and his parents divorced. Our hero found himself the sole male in his family. It’s hard to imagine how his mother and grandmother survived such abysmal times with a newborn.
Nikolai Vasilevich told the author of this book that he was feeding his family by the age of four!
A garrison was located next to the port, protecting the port’s warehouses and equipment. Odessa lads would often run down to the port to watch the cargo ships. The soldiers acted kindly towards these ubiquitous urchins and even fed them porridge. Nikolai would bring some of this precious sustenance home for his mother and grandmother.
Well, it wasn’t only for trips to the port that these Odessite waifs were famous. Their lack of height and innate savviness enabled them to slip through small windows of rich apartments and open the doors for the older hands. This was a particular game of “noble thieves” for which Odessa, let’s face it, had long been famous! It’s not hard to guess what the “endgame” of this romantic way of life would have been for young Nikolai had it not been for one fateful encounter at the age of five or six!
After creeping his way into an apartment belonging to a local jeweler following a tip-off, Nikolai found himself caught in a trap. The owner who had sensed trouble ahead, had stayed at home and caught the young cat-burglar. The logical reaction would have been to grab this Oliver Twist by the scruff of his neck and haul him off to the police. However, the jeweler acted differently. He offered this failed burglar’s mother a deal to take him on as an apprentice and teach him the subtleties of the jewelry trade. A risky and unusual step, frankly! Moreover, in order to dispel any thoughts the urchin may have had about returning to his thieving past, the jeweler, a passionate chess lover, taught his young charge the rules of the game. And that is how the child burglar Nikolai Rezvov crawled through the window into the world of chess!”
The introduction ends, “In over half a century, Rezvov created around 450 compositions encompassing all known types. Many of these are true classics!”
1st team championship of Ukraine, 1965
(edited by S. Tkachenko, 2017)
White to move and draw
Mikhail Zinar’s Difficult Pawn Endings: A World Champion’s Favorite Composers.
From the introduction:
“One spring weekend the lad was walking in the Yuri Gagarin(!) Park in Simferopol and dreaming of his future glorious pilot studies. The world of aviation incurred a terrible loss and the kingdom of Caissa experienced a fantastic gain when Zinar stumbled upon an open pavilion in the park with people playing chess!
Chess! This became Zinar’s life obsession. In just half a year he made the journey from absolute beginner to first category player (1800 plus). After that, it was onwards and upwards. With the wish to focus entirely on chess, our hero changed jobs in 1974. This wasn’t a fair exchange! Only an incurable romantic would agree to give up a position of aviation mechanic with free accommodation in a dormitory and a salary of 130 rubles per month (a very decent amount in those days) in favor of a salary of 90 rubles per month and no accommodation as a coach at a children’s chess club! The chess atmosphere now literally encircled our hero 24/7. Locking the doors at night after the last chess club member had left the premises, Zinar would move tables together, pull a mattress and bed linen from the cupboard and settle down for the night. The following morning the same procedure would take place in reverse…”
The book contains one hundred pawn endings, each a thing of beauty.
Chess in the USSR, 1981
1st special prize
then contacted me wanting to know if I would be interested in writing a book review. I answered in the affirmative and the book was on its way. I have recently purchased another book published by his company, Team Tal: An Inside Story,
by Valentin Kirillov
and Alexei Shirov,
which has arrived and is on top of a stack of books to be read. So many books, so little time…
gave a simul at the House of Pain which I have always regretted missing. The owner of the Atlanta Chess Center, Thad Rogers, had some awful things to say about the Bronstein visit. After reading the book I have a better understanding of why Mr. Rogers said those things.
The Rise and Fall of David Bronstein, by Genna Sosonko, is a extremely disquieting book. Yet I was riveted, reading all two hundred seventy one pages in only a few days. I have spent much more time thinking about the book than time spent reading it.
I have read all of the books by the author, and in addition, many articles. Genna is one of the best writers on the game of Chess. This book could be his best work. I write that knowing some may find the subject matter upsetting. The book concerns the aging of a Giant of the Chess world. “Colleague champion” was how former World Chess Champion Max Euwe
addressed David Bronstein in a telegram after the 1951 World Championship match between Bronstein and Mikhail Botvinnik,
the man who called himself, “First among peers,” which ended in a 12-12 tie. There can be no higher compliment.
Certainly there should have been a return match for the crown, but there was no match. When Botvinnik lost his crown, first to Mikhail Tal,
then to Vassily Smyslov,
there was a return match in which Botvinnik regained the title.
“You know, Botvinnik should have allowed me a return match; he was obliged to. In truth, though, I’m glad that I’m not hanging in the gallery at the chess club. Do you realize it was just half a point, half a point? And then, everything would have been completely different. Chess history and everything else. You see, Botvinnik and I had totally different outlooks on chess, and we were quite different people, too.”
The book left me wondering if Bronstein would have won a return match. Bronstein was afraid to win the match with Botvinnik for many of the same reasons Bobby Fischer
was afraid to play a match for the Chess championship of the world against any Russian. At the time of the 1951 match Bronstein’s father was being held in a Soviet gulag. How can one play his best while wondering what the “authorities” might do in reprisal if one wins? When living in a totalitarian system one tends to want to appease those who run the system, or at least not upset the Darth Vader’s in control.
One of the themes of the book considers the mental health of the Colleague champion. It caused me to consider a book read many years ago: Shadow Syndromes: The Mild Forms of Major Mental Disorders That Sabotage Us by John J. Ratey.
No human is perfect; we all have a certain percentage of different kinds of mental illness. The question is what percentage constitutes a full blown mental illness? Those who judge must determine if, for example, someone who has 49% of a particular mental illness, is considered mentally ill. What if that person rates in at 51%? Where is the line drawn? Who draws the line? While working at the Atlanta Chess & Game Center I had several people ask me if I thought this or that person was mentally ill. My answer was invariably the same. “I am not the one to ask that question.” When asked why, the reply would be, “On more than one occasion I have heard it said in the skittles room, “That guy Bacon is NUTS!”
“Botvinnik never took Bronstein seriously. His diary was full of negative and sarcastic commentary on his future opponent’s style: “neurotic and probably plagued by obsessive thoughts, but hard-working,” is one comment.
“Disregarding the fundamental truth that several different excuses always sound less convincing than one, Bronstein found a number of scapegoats and reasons for his loss: his hatred-filled opponent, the atmosphere of that time, fear for his father, his seconds, who neglected their duties, walks with a girlfriend who didn’t care about his career, and the hardships he had endured.”
“Psychologists say that you need to separate the ‘here and now’ from the ‘there and then’. They advise you to stop feeling regret about what was in the past and not to fool yourself. Bronstein didn’t want to come to terms with his past and nobody close to him dared to tell him that the match with Botvinnik was in the past, that life hadn’t stopped, and it was time to move on. Nobody dared to hit him over the head with the facts, to bring him back to reality. I admit to not knowing how such an attempt would have turned out, but nobody even attempted it, and everybody who regularly interacted with him shares responsibility for him remaining in such a state until the very end.”
“Bronstein the philosopher and Bronstein the talker had pushed aside Bronstein the chess player, and he increasingly seemed to be almost at odds with himself.”
“Ideas were bubbling in his head,” Yuri Averbakh
recalled. “He literally breathed them, couldn’t stop talking about everything that came to his mind. ‘How does your wife put up with your fountain of language?’ I once asked him. ‘She goes to visit the neighbours once she can’t put up with it any longer,’ David admitted with a guilty smile.”
Tom Furstenberg wrote: “David has so much to talk about he constantly ‘harasses’ organisers, sponsors, arbiters, and players with his ideas, even to the point of annoying them. This is why organisers occasionally do not want him in their tournaments and people sometimes do not take him seriously.”
“Furstenberg states that Bronstein also had other offers at the time, but none of them came to anything for the same reason. When Tom strongly recommended that he speak less, and especially stop repeating himself, Davy would answer, “I like people.” Of course, that wasn’t quite true. He liked people when they listened to him in admiration. Others, though, interested him only as an outlet to revisit Davy’s past.”
“It would probably have been useful for him to visit a therapist. The latter would have asked about something, and Davy would have talked for hours without even politely inquiring “how are you?” He never asked anybody that question. I can’t ever recall him asking me how things were or what plans I had. It was always about him, himself, and his chess. His place in chess was the meaning and substance of his entire life.”
“His listeners (including me) wouldn’t ask difficult questions out of respect for this great chess player and highly insecure person. As such, we strengthened his conceit and intoxication with his own uniqueness. If my opinion wasn’t the same as his, I would rarely disagree with him openly, although I could have argued frequently. I was constantly aware that I was talking with an outstanding chess player and, at the same time, a slightly unhinged person.”
“Psychotic symptoms are a normal part of human development, and everybody has a genetic inclination to experience them. Particular risk factors, though, are childhood traumas, and a psychotic state or neurosis may fuel or intensify genius.”
It got back to me that the owner of the Atlanta Chess & Game Center, Thad Rogers, said I was a “Small, insecure man.” I have probably been called worse. It made me wonder why someone would say that about me. I am, like Bronstein, a small man. Like most children who were bullied I have reason to be insecure. Bullies pick smaller boys as their targets because they are cowards. I learned boxing at a Boys Club and fought back against the cowards, and feel I have been fighting all my life. Reading this book caused empathetic feelings to be evoked.
invited Bronstein to Brussels in 1991 to his match with Jan Timman,
but he never engaged his services. “He talks so much that it gives me a headache,” Viktor explained to his seconds.
“He would trustingly take his ‘victim’ aside and he would start to fire off his ideas, thoughts, and views in a quiet, nearly toneless voice. Sometimes, they were interesting, sometimes amusing or moralizing, but always original, unexpected, and paradoxical, and Bronstein would experience genuine satisfaction if he sensed he had been able to ensnare his listener in a web of his monologue, filled with complicated twists and turns,” Mark Taimanov
"Among his repeat stories, the endless refrain was, of course, his match with Botvinnik, and he constantly talked about what had been and what might have been had what happened not happened. His other monologue subjects included: reforming the rules of chess, including allowing the pieces to be set up freely behind the row of pawns, reducing the time allowed for thinking, the compulsory use of charts showing how much time is spent on thinking, as well as the idea that young players who think that they are the first to comprehend the game's subtleties and who receive enormous prized for doing so, dance on living classics' graves."
I could not help but wonder if a better word would have been "soliloquy" in lieu of "monologue."
"Although conversing with Bronstein was a tough challenge, the reward, when the grandmaster was in the mood, came in the form of brilliant flashes of colorful comparisons, clever thoughts and unusual conclusions that his listeners would never forget."
"Bronstein didn't like the fact that computers brought the truth in chess closer, that memorization had replaced improvisation: "By inventing computers, they wiped the wonderful game of chess from the face of the Earth. Chess is in crisis because it has been analyzed to death. The sense of mystery has disappeared. Chess today has nothing to do with the chess that my generation played."
A friend who stopped playing Chess, turning to Poker, said much the same thing, "GMs used to be thought of as some kind of mysterious Gods. Now there are considered to be nothing more than mere mortals."
Botvinnik was Bronstein's bête noire.
"Moreover, just like in all of Bronstein's deliberations, there was no avoiding the main wrongdoer. He criticized the 'computer' way of Botvinnik's thinking, claiming that the latter "reacted painfully to another man's genius and wrote with pretend disdain about chess as an art. Let's quote Botvinnik here: "Sometimes (and maybe often!) the thinking of a chess player is surrounded by mystique: the workings of a player's brains are presented as some sort of wonder, a magical and totally inexplicable phenomenon. Further, it is claimed that not only is the thinking of chess 'geniuses' a mystery, but that advantage is gained at the board thanks to some magical laws of chess art. We need to accept that unidentified laws of the chess battle do indeed exist, but that they can and will be identified just like the as yet unidentified way a grandmaster thinks. Moreover, it's fair to assume that these laws and the ways of thinking are relatively elementary – after all, youngsters play chess, and fairly well?" Botvinnik wrote in 1960."
"When he began, yet again, to claim: Believe me, that champion's title was of no interest to me," I said, "do you know David, how Toulouse-Latrec's grandfather informed his wife, born a duchess, at the breakfast table just what they had lost in the revolution of 1789?"
Bronstein looked at me nonplussed. "When his wife replied that she didn't give a damn, the artist's grandfather smiled sarcastically and stated, 'you certainly do give a damn, Citizen Duchess, because you wouldn't have talked about it every day if you didn't give a damn.' "
"Let me assure you," said David pulling me by the arm, "that I really don't care at all about this. Do you really think that I missed Na7 in game 23? Such an obvious move? Do you really believe that?"
I realized that any criticism on this matter was pointless and never again interrupted him when he got going about his match with Botvinnik.
The fear embedded in the minds of Soviet citizens who had lived through that terrible era was one reason for his unfinished thoughts, his hints, and his reticence…
How can one express the atmosphere of 1951 – when he was already an adult and a public figure – in words? How much willpower and which subtle hints are required to recreate the darkness of the time?"
Another time, "What ideas did Botvinnik have, I ask? Do you really think I didn't see that I shouldn't have taken the pawn and given white the advantage of two bishops versus two knights in game 23? Do you really think I missed that?"
Still later, "How was I supposed to play chess anyway, when I had this constant feeling of terror? Not facing Botvinnik, although I overestimated him at the time, I thought he was better than he turned out to be. No, it was terror facing my personal situation, the country I lived in, everything together. You experienced something similar, even if it wasn't for long. So you must understand what I'm talking about."
Reading the book made me think of David Bronstein as the Don Quixote of Chess.
"The functionaries did indeed dislike this now professional troublemaker, but realizing he was an oddball, they allowed him to play the role of frondeur, dreamer, village idiot, and eccentric maverick waving a toy sword.”
“That was the case with David Bronstein, too. In the half-century that followed, his tournaments included some brilliant games, elegant moves and original ideas, but there were no consistently strong results, or continual flow of inspiration. The formidable, ingenious player left him long before his actual death.You could perceive his abilities of old here and there in the games, but most of them were lacking in both joy and vigour.”
“At the very end, he became even more irritable and complained about everything. About his life ruined by chess and lived in vain. And of course, Davy complained about this Sosonko dude, who was just waiting pen in hand for him to kick the bucket so that he could publish his memoirs about the near world champion. The interesting thing, though, is that all of Davy’s complaints, although frequently unfair and exaggerated, and sometimes even absurd, had a grain of truth to them.”
“The fate of those long in the tooth is loneliness. Besides illnesses and adversity, the loss of friends and relatives, the horror of living without witnesses was tougher for him to bear than perhaps for anybody else. After all, there is no soul more desolate than an idol whose name was once on everybody’s lips.”
“Once, however, after repeating for the umpteenth time that Botvinnik had been utterly right all along, he added with a childlike smile: “Though that was still one hell of an imagination I possessed.”
“My heart began to ache at those words, however, and a powerful thought pierced my mind: “why did I write all that stuff about this great chess player who suffered so much at the end of his life? Why? What was the point of all that philosophizing and those attempted explanations? Who was all that for?” You see, I knew deep own that I shouldn’t have tried to recall anything. I should have left the departed alone in their graves and should have allowed the living to keep their illusions.”
This “Sosonko dude” was obviously troubled and full of doubt. In deciding to publish the book he has done the Chess world a great service.
“When Vladimir Nabokov
died, his niece scolded his wife, Vera, for apparently allowing her husband to die. The writer’s wife responded: “Vladimir died exactly when he was supposed to die. He was no longer able to do what he enjoyed: thinking and writing.”
After reading those words I realized my life, too, will end when I am unable to do those things.
“Let’s repeat these harsh words here: David Bronstein died exactly when he was supposed to die. He was no longer able to do what he enjoyed most of all – to play, discuss, and think about chess.”
This is a magnificent book, written with love for the subject. I cannot recommend it highly enough. Purchase and read this stunning, thought provoking book.