Because of having played the Najdorf system during my formative years in the last century I was interested in learning about GM Bryan Smith’s new book on the opening (https://mongoosepress.com/the-najdorf-in-black-and-white/).
I met Bryan
at the 2009 Kentucky Open where he took first place by a half point. There were myriad problems with the tournament, directed by Alan Priest, which included no electricity for the lighting in the first couple of rounds, so it was played in semi-darkness, which seemed to not bother Mr. Priest. After developing a splitting headache, due to the poor lighting, and losing a game, I withdrew from the tournament, but returned the following day to spectate. While Bryan was waiting on the last round games to finish a conversation developed. Bryan is a quite, taciturn young man, the kind of fellow who lets his moves do his talking. I learned he was from Anchorage Alaska, and he is now the first-ever Grandmaster from Alaska. My home state of Georgia has yet to produce a home-grown GM. I recall asking Bryan why he decided to travel to Louisville in lieu of playing in one of the other, larger, tournaments in his area. He answered in a way that said he would rather be a big fish in a small pond that weekend rather than being a smaller fish in a much larger pond. “Better odds of taking home money?” I asked, and he produced a grin. We talked for some time and I transcribed what was recalled of the conversation later that day, but never used it, much to my regret. Bryan graciously answered my questions so what I recall was an enjoyable afternoon conversation with one of the nicest GM’s with whom I have conversed.
I have replayed many Nadjorf games since moving on to playing other openings, but have not devoted time studying the Nadjorf system with the intensity shown earlier when playing the system. For some time I have wanted a book to read on the system in order to compare the way the system is played now as opposed to how it was played last century, but the books are usually dense and voluminous, with a heavy emphasis on variations. Some of the books could be used as a doorstop. When my review copy, published by Mongoose Press (https://mongoosepress.com/), arrived I was pleasantly surprised to see it was only a small volume of 162 pages. The book is heavy on words, and ideas, rather than being yet another “data-dump.” Some have written books like the magnificent Zurich International Chess Tournament 1953,
by David Bronstein,
et al, cannot be published today because words, conveying ideas, are predominate. This book proves those writers wrong. Most of the variations included are short enough one does not need a board with which to visualize them. One of the players from my early days told me he liked to read a Chess book without using a board. There are enough diagrams for one to utilize this book in that way, which is exactly how I read the book. Then I read it again using a board and pieces because it is that good.
The book begins with an Introduction: The Cadillac of Openings.
“With this book, I present a collection of games played in the Najdorf Sicilian. The purpose of this book is not to be exhaustive – that would require at least ten times the content, and even then it would not encompass a fraction of the analysis and relevant games played in the Najdorf. This book also does not suggest a repertoire for either White or Black – although players can glean some ideas, since I have generally picked games played in the lines I favor. I think it is dishonest for a writer to try to portray an opening in only a positive light: ultimately, even the most objective writers of repertoire books have to massage the facts and minimize the problems of an opening – and every opening has them.
The purpose of this book, rather, is to show how to play the Najdorf, with White or Black, through archetypal games. I believe that by studying the games in this book, one can develop a solid general sense of the different types of game resulting from the Najdorf as played in the twenty-first century. It is my hope that readers will also gain some degree of enjoyment or entertainment from the games, which have been selected not only on their instructional merits, but also for their aesthetic value.”
The book will be judged by the criteria chosen by the author. The question is whether Bryan delivered on his promise. The answer is a resounding “Yes!” In Baseball terms this book is like hitting a walk-off grand slam home run in the bottom of the ninth inning of the seventh game of the World Series!
Bryan continues the introduction. “Having a lifelong opening that one knows inside and out like one’s own house is a major advantage to a chess player. It means that the player can always rely on reaching position that he understands in general terms and knows something about. Perhaps more importantly, though, it gives confidence.”
Reading the above caused me to reflect upon my early days playing the Najdorf. I have never felt as confident playing any opening as I did when playing the Najdorf system. Why did I stop playing the Najdorf system? Bryan continues the introduction, “A sufficiently rich opening will provide immunity against the winds of theory – if one variation is refuted, another can be found, so long as the opening is built on proper principles. I believe the Najdorf can be such an opening. Some may imagine that is is a theoretical labyrinth, suitable only for those with an incredible memory and a willingness to play twenty or more moves of known theory before beginning the game. It is true that there are certain lines in the Najdorf where this is the norm – for instance, the Poisoned Pawn Variation (6.Bg5 e6 7,f4 Qb6). However, the reader will see in this book that these variations can be sidestepped, and that it is indeed possible to play the Najdorf “by the light of nature,” with experience providing a guide. Most of the games I have chosen feature ways of avoiding these quagmires. Despite its sharpness, the Najdorf is an opening built on solid positional principles. It is basically a positional opening.”
When first beginning the Chess road the Dragon variation was very popular. Once a strong player advocated against purchasing a book on the Dragon because “It is written in disappearing ink.” He said that because the theory was changing so fast by the time you read the book, much of it had been refuted. The same could have been said about the Najdorf system. I also recall reading something about there being players who knew the Najdorf, but did not know Chess. I was one of those people, because like others, I knew the Najdorf, but not Chess. After leaving Chess for Backgammon, upon my return to Chess I simply did not have time to keep abreast of the constantly changing theory of the Najdorf system, so decided to learn, and play, other openings. Yet what I learned about Bobby Fischer’s favorite opening has stuck with me, while the other openings never infused me with the confidence felt when playing the Najdorf system.
After the introduction, and before the first chapter, one finds, The Development Of the Najdorf Sicilian, a seven page historical perspective of the Najdorf system. It begins, “The Najdorf can trace its origins to the nineteenth-century German master Louis Paulsen.
Paulsen was an innovator of defense. In an era when 1.e4 e5 was the dominant opening and direct attacking play was the main method of winning, Paulsen understood the concept of asymmetrical play and counterattack. His openings and positional play were often a full century ahead of their time.”
Louis Paulsen was one of the most interesting, and underappreciated, players from the early days of the nineteenth century. Paulsen’s ideas influenced the development of the Royal game greatly. I played openings such as the C26 Vienna, Paulsen-Mieses variation, for example.
Bryan gives a game between Lewis Isaacs and Abraham Kupchick played at Bradley Beach in 1928, writing, “A forgotten 1928 game from a tournament in the U. S. might be the first use of the “real” Najdorf.”
Lewis Isaacs vs Abraham Kupchik
Bradley Beach 1928
ECO: B92 Sicilian, Najdorf, Opovcensky variation
1. e4 c5 2. Nf3 d6 3. d4 cxd4 4. Nxd4 Nf6 5. Nc3 a6 6. Be2 b5 7. Bf3 e5 8. Nb3 Bb7 9. O-O Nbd7 10. Bg5 Be7 11. Re1 O-O 12. Rc1 Nb6 13. Na5 Rb8 14. Nxb7 Rxb7 15. b3 Rc7 16. Qd3 Nbd7 17. Be3 Nc5 18. Qd1 Qa8 19. Bg5 Ncd7 20. Nb1 h6 21. Bd2 Rfc8 22. Ba5 Rc6 23. g3 Nc5 24. Nc3 Bd8 25. Bxd8 Rxd8 26. Nd5 Nxd5 27. Qxd5 Qc8 28. Red1 Ne6 29. Bg4 Rc5 30. Qd2 Rc3 31. Re1 Qc5 32. Re3 Rxe3 33. fxe3 Ng5 34. Qd3 d5 35. exd5 Rxd5 36. Qe2 Qc3 37. h4 Rd2 38. Qe1 Ne4 39. Bf5 Nf2 40. Bd3 Nxd3 41. cxd3 Qxd3 42. Rc8+ Kh7 43. Rc1 f5 44. a4 b4 45. g4 Re2 0-1
He culminates the chapter with, “Despite the opening’s great popularity and constant use at the top level for many decades, the Najdorf remains mysterious and has its unexplored areas, with the new ideas waiting to be born. Its attraction for the chess professional today is easy to understand, since it is an opening where it is possible to play for a win with Black, while it is also unquestionably sound. Although positionally and tactically very sharp, the Najdorf player still controls his own fate.”
Chapter one is titled, Va Banque: 6.Bg5. After 1. e4 c5 2. Nf3 d6 3. d4 cxd4 4. Nxd4 Nf6 5. Nc3 a6 6. Bg5 e6 7. f4 the author advocates Qc7. I never played any move other than 7…Be7 because, well, you know, that is the move played by Bobby Fischer. After studying the games, and positions, I came to understand why the author would advocate the move Qc7 for those taking their first Najdorf steps. The amount of material in the main line can be daunting for a neophyte. The fourth game of the chapter is one in which the author had white against Hristos Banikas at Retymnon in 2009. After the obligatory first five moves of the Najdorf Bryan played 6 Bg5, which was answered with Nbd7. “An old and new move – it was played frequently in the 1950s and again in the 2010s – and not so much in-between.” After 7 f4 we have Qc7.
The other chapters are:
2) The Classicist’s Preference: 6 Be2
3) Add Some English: 6 Be3
4) In Morphy’s Style: 6 Bc4
5) White to Play and Win: 6 h3
6) Systematic: g3
7) Healthy Aggression: 6 f4
8) Action-Reaction: 6 a4
9) Odds and Ends
To illustrate what I mean by the use of words, in lieu of variations, to explain what is happening on both sides of the board, look at the position from Game 11: Zaven Andriasian-Ian Nepomniachtchi, played at the 2010 Aeroflot Open in Moscow. After 1. e4 c5 2. Nf3 d6 3. d4 cxd4 4. Nxd4 Nf6 5. Nc3 a6 6. Be3 e5 7. Nf3
The reader finds, “The retreat of the knight to f3 rather than b3 changes nothing in the structure (at least not right away), but the choice of this square has a dramatic effect on the course of the game. In contrast to 7. Nb3, putting the knight on f3 leads to much quieter, more positional play, where White tries t dominate the d5 square. And why is this? Whereas 7.Nb3 allows for White to play f2-f3 with queen-side castling and a king-side pawn storm, after 7,Nf3 this is not possible. White will almost certainly castle king-side. In the meantime, b3 is left free as a retreat square for the bishop from c4. Consequently, rather than opposite-side castling and mutual attacks, you get a more positional struggle.”
Another fine example is from Game 14, Nigel Short
vs Garry Kasparov,
PCA World Championship, game 8, London 1993: 1. e4 c5 2. Nf3 d6 3. d4 cxd4 4. Nxd4 Nf6 5. Nc3 a6 6. Bc4 e6 7. Bb3 Nbd7 8. f4 Nc5 9. e5 dxe5 10. fxe5 Nfd7 11. Bf4 b5
“In this way, Black places the bishop on its best diagonal (the long diagonal) before White can prevent it by Qd1-f3. Such a position might look good for White on the surface-the e5-pawn confers some space advantage and White has rapid development, plus the f-file is open and the white pieces are placed in threatening-looking positions. But such is the poison of the Sicilian. Black too has his advantages, and they tend to be more long-lasting. The bishop which will come to b7 will be very well placed. The advanced e5-pawn is not only a strength, but a weakness. And most importantly, Black has a well placed knight on c5 and a substantial advantage in space on the queen-side – the advance…b5-b4 is constantly looming over White, and the b3-bishop, if not activated in some dramatic fashion, could turn out to be a complete dud.”
One can turn to almost any page and find nuggets of wisdom such as the above illustrating the aims of BOTH SIDES! If one wishes to play the Najdorf system, or play against it, this is the book for you.
The author has dug deep, unearthing this game, found in the notes to Game 24, Judit Polgar
vs Dariusz Swiercz,
which I was unable to locate in any database. Bryan writes, “6…e6 is likely to be met by 7.g4, which looks like a fairly promising line for White – although 7…Nc6 is another possibility for Black to look into. Instead, the originator of 6.Qf3, American master Andrew Karklins, liked to continue with 7.b3. His record against grandmasters with this line was not very good, but he did have one major scalp:
vs Peter Svidler,
World Open 1995
1. e4 c5 2. Nf3 d6 3. d4 cxd4 4. Nxd4 Nf6 5. Nc3 a6 6.Qf3 e6 7. b3 Qb6 8. Nde2 Qc7 9. Bb2 b5 10. a3 Bb7 11. g4 d5 12. exd5 Nxd5 13.
Bg2 Nd7 14. O-O Bd6 15. Qh3 Nxc3 16. Nxc3 Be5 17. Bxb7 Qxb7 18. Rad1 O-O 19.Qe3 Bb8 20. Ne4 Ne5 21. Bxe5 Bxe5 22. Nc5 Qc7 23. f4 Bf6 24. Rd7 Qb6 25. Rfd1 Rfd8 26. b4 a5 27. Qf3 axb4 28. axb4 Kf8 29. Kg2 Rdc8 30. R1d6 Qb8 31. Qd3 1-0
This book achieves its aim, hitting the target with a bullseye!
Since your request for a review copy, the Mongoose Press website has undergone some upgrades, improvements and, unfortunately, the moving of some urls. The new link to the Najdorf in Black and white is the following:
Our apologies to you and your readers for not notifying you about this in a more timely manner.
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